On stage 25 productions, 58 years
| 1956 | Happy Hunting Majestic Theatre · Original · directed by Abe Burrows | 412 perf. |
| 1958 | Whoop-Up Shubert · Original · directed by Cy Feuer | 56 perf. |
| 1960 | Beg, Borrow or Steal Martin Beck Theatre · Original · directed by David Doyle | 5 perf. |
| 1964 | Ready When You Are, C.B.! Brooks Atkinson Theatre · Original · directed by Joshua Logan | 80 perf. |
| 1966 | Malcolm Shubert Theatre · Original · directed by Alan Schneider | 7 perf. |
| 1967 | Galileo Vivian Beaumont Theater · Revival · directed by John Hirsch | 76 perf. |
| 1967 | The East Wind Vivian Beaumont Theater · Original · directed by Robert Symonds | 60 perf. |
| 1968 | The Seven Descents of Myrtle Ethel Barrymore Theatre · Original · directed by José Quintero | 29 perf. |
| 1969 | A Way of Life Anta Playhouse · Original · directed by Harold Stone | |
| 1971 | And Miss Reardon Drinks a Little Morosco Theatre · Original · directed by Melvin Bernhardt | 108 perf. |
| 1974 | Mert & Phil Vivian Beaumont Theater · Original · directed by Joseph Papp | 41 perf. |
| 1975 | The Norman Conquests: Living Together Morosco Theatre · Original · directed by Eric Thompson | 76 perf. |
| 1975 | The Norman Conquests: Round and Round the Garden Morosco Theatre · Original · directed by Eric Thompson | 76 perf. |
| 1975 | The Norman Conquests: Table Manners Morosco Theatre · Original · directed by Eric Thompson | 76 perf. |
| 1977 | Ladies at the Alamo Martin Beck Theatre · Original · directed by Frank Perry | 20 perf. |
| 1977 | Miss Margarida's Way Ambassador Theatre · Original | 98 perf. |
| 1981 | The Pirates Of Penzance Uris Theatre · Revival · directed by Wilford Leach | 772 perf. |
| 1990 | Miss Margarida's Way Helen Hayes Theatre · Revival | 11 perf. |
| 1992 | Shimada Broadhurst Theatre · Original · directed by Simon Phillips | 4 perf. |
| 1994 | The Shadow Box Circle In The Square Theatre · Revival · directed by Jack Hofsiss | 49 perf. |
| 2002 | Morning's at Seven Lyceum Theatre · Revival · directed by Daniel Sullivan | 112 perf. |
| 2007 | August: Osage County Imperial Theatre · Original · directed by Anna D. Shapiro | 648 perf. |
| 2011 | Good People Samuel J Friedman Theatre · Original · directed by Daniel Sullivan | 101 perf. |
| 2012 | Nice Work If You Can Get It Imperial Theatre · Original · directed by Kathleen Marshall | 478 perf. |
| 2014 | The Velocity of Autumn Booth Theatre · Original · directed by Molly Smith | 16 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Richard Benjamin | 3 productions |
| Paula Prentiss | 3 productions |
| Ken Howard | 3 productions |
| Don Murray | 3 productions |
| Carole Shelley | 3 productions |
| Barry Nelson | 3 productions |
| The Audience | 2 productions |
| Shirley Jac Wagner | 2 productions |
| Ronald Weyand | 2 productions |
| Roberta Callahan | 2 productions |
| Robert Phalen | 2 productions |
| Robert Haswell | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Act One: Overture (Orchestra); “Postage-Stamp Principality” (Tourists, Monegasques); “Don’t Tell Me” (Goldon Polk, Virginia Gibson); “(Gee, But) It’s Good to Be Here” (Ethel Merman, Seth Riggs, Gene Wesson, Estelle Parsons, Robert C. Held, Carl Nicholas); “Mutual Admiration Society” (Ethel Merman, Virginia Gibson); “For Love or Money” (Gi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Kevin Kline, Estelle Parsons, Linda Ronstadt, George Rose, Rex Smith, Tony Azitoebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast as one of the newspaper reporters was future Academy Award winner Estelle Parsons.ebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
- Who else started out in the chorus at the Shubert? Estelle Parsons was an ensemble member and understudy in Whoop-Up in 1958. In 1959, Valerie Harper made her Broadway debut as “Lady Entertainer, Townswoman” in Take Me Along , and occupied a small sliver of a Shubert chorus dressing room at the age of 20. Future Tony Award-winning directo…ebooks/Tepper, Jennifer/Untold Stories of Broadway, Volume 2 PART 1, The - Jennifer Tepper.txt
- ESTELLE PARSONS, FRANK PORRETTA, BARBARA HARRIS in ‘‘THE RISE AND FALL OF THE CITY OF MAHAGONNY”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Playwright Osvaldo Dragun and actress Estelle Parsons at the Kennedy Center for the Performing Arts in Washington, D.C., during the First Festival of the Theater in the Americas in June 1979. [Americas]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 3 (I-N).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.