On stage 6 productions, 41 years
| 1930 | Scarlet Sister Mary Ethel Barrymore Theatre · Original · directed by E. M. Blyth | 24 perf. |
| 1931 | George White's Scandals [1931] Apollo Theatre · Original | 202 perf. |
| 1933 | Under Glass Ambassador Theatre · Original | 8 perf. |
| 1937 | Orchids Preferred Imperial Theatre · Original · directed by Robert Sanford | 7 perf. |
| 1944 | Martha City Center · Revival · directed by Hans Wolmut | 6 perf. |
| 1971 | Follies Winter Garden Theatre · Original · directed by Harold Prince & Michael Bennett | 522 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| Hilda Knight | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- “Who’s That Woman?” was rehearsed and rehearsed. It was hard for everyone. Ethel Barrymore Colt recounted the trials and tribulations involved in learning all the tap steps for the number and revealed that all the older women were afraid to admit when they got tired, but that every rehearsal winded them all. Privately, she said, they’d ag…ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
- Many of the actors paired off on the bus as they paired off onstage: Harvey Evans sat with Marti Rolph, Peter Walker with Ethel Barrymore Colt, and so on. Jokes were tossed around—Dick Latessa, seeing Justine Johnston’s mother waving her goodbye, asked if she had packed her boots. After the requisite stop at a highway Howard Johnson’s, th…ebooks/Chapin, Ted/Everything Was Possible_ The Birth of the Musical Follies (Applause Books) - Ted Chapin.txt
- Cast: Rudy Vallee, Ethel Merman, Willie & Eugene Howard, Everett Marshall, Ray Bolger, Ethel Barrymore Colt, Alice Fayeebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Alexis Smith, Gene Nelson, Dorothy Collins, John McMartin, Yvonne DeCarlo, Fifi D’Orsay, Mary McCarty, Ethel Shutta, Arnold Moss, Ethel Barrymore Colt, Michael Bartlett, Sheila Smith, Justine Johnston, Virginia Sandifur, Kurt Peterson, Victoria Mallory, Marti Rolphebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Initially several of the show’s songs had been entrusted to another Ethel: Ethel Barrymore Colt, of Broadway’s royal family. Her taking her millionaire father Russell Colt’s last name showed her streak of independence, for she had worked hard to distance herself from the overpowering legacy of the Barrymores. Another way to do this was to…ebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
- C AST : Rudy Vallee, Willie and Eugene Howard, Ethel Merman, Everett Marshall, Ethel Barrymore Colt, Ray Bolgerebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.