On stage 7 productions, 49 years
| 1934 | Ziegfeld Follies of 1934 Winter Garden Theatre · Original · directed by Bobby Connolly | 182 perf. |
| 1935 | Parade Guild Theatre · Original · directed by Philip Loeb | 40 perf. |
| 1936 | Ziegfeld Follies of 1936 Winter Garden Theatre · Original · directed by Robert Alton | 115 perf. |
| 1939 | Very Warm for May Alvin Theatre · Original · directed by Vincente Minnelli, Oscar Hammerstein II | 59 perf. |
| 1940 | Two For The Show Booth Theatre · Original · directed by John Murray Anderson | 124 perf. |
| 1941 | Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor | 547 perf. |
| 1983 | Moose Murders Eugene Oneill Theatre · Original · directed by John Roach | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Susanne Remos | 2 productions |
| Maxine Darrell | 2 productions |
| Marguerite White | 2 productions |
| June Preisser | 2 productions |
| Jane Moxon | 2 productions |
| Jack Ross | 2 productions |
| Herman Belmonte | 2 productions |
| Fannie Brice | 2 productions |
| Ethel Thorsen | 2 productions |
| Dorothy Daly | 2 productions |
| Cherry Preisser | 2 productions |
| Andre Charise | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
Let’s Face It
Ziegfeld Follies
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- FILM (Republic Pictures 1948) : Cast: Robert Walker, Ava Gardner (dubbed by Eileen Wilson), Olga San Juan, Eve Arden. Produced and directed by William A. Seiter. Songs: “Speak Low,” “That’s Him,” “Foolish Heart” (retitled “Don’t Look Now but My Heart Is Showing”). [82 minutes]ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Cast: Fanny Brice, Willie & Eugene Howard, Everett Mashall, Jane Froman, Vilma & Buddy Ebsen, Patricia Bowman, Cherry & June Preisser, Eve Arden, Robert Cummings, Ina Ray Huttonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Fanny Brice, Bob Hope, Gertrude Niesen, Josephine Baker, Hugh O’Connell, Harriet Hoctor, Eve Arden, Judy Canova, Cherry & June Preisser, Nicholas Brothers, John Hoysradt, Stan Kavanaughebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- In the script Kate was originally described as being something of a Diamond Lil type, but in the end the role shaped up to be the kind of part that Eve Arden would later make a career of in the movies. When Kate catches her husband, Slick, on the make, she berates him, “You promised me a divorce two years ago. And if you can ever make eno…ebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
- Were you very sophisticated seeming, even then? Like Eve Arden? She seems to have always been an adult. Nothing girlish about her .ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
- I didn’t want that to happen, with all due respect to Eve Arden. I didn’t want to be just this comedienne. The wonderful thing about Call Me Madam and lots of other shows that I’ve done was that I had the love interest. That was very exciting to me because it made me feel feminine, the way I should feel. Not always the clown.ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.