On stage 4 productions, 4 years
| 1928 | Yours Truly Century Theatre · Original | 16 perf. |
| 1929 | Fifty Million Frenchmen Lyric Theatre · Original · directed by Monty Woolley | 254 perf. |
| 1930 | The Vanderbilt Revue Vanderbilt Theatre · Original · directed by John E. Lonergan | 13 perf. |
| 1932 | Walk a Little Faster St James Theatre · Original · directed by E. M. Woolley | 116 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| Melva Cornell | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature2 passages
- “Let’s Step Out” (Bonnie/Chorus) (introduced in Fifty Million Frenchmen by Evelyn Hoey and Gertrude McDonald [November 27, 1929])ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Cast: William Gaxton, Genevieve Tobin, Helen Broderick, Betty Compton, Evelyn Hoey, Jack Thompson, Thurston Hallebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.