On stage 6 productions, 7 years
| 1921 | Two Little Girls in Blue George M Cohans Theatre · Original · directed by Ned Wayburn | 135 perf. |
| 1923 | Ziegfeld Follies of 1923 [Summer Edition] New Amsterdam Theatre · Original · directed by Ned Wayburn | 96 perf. |
| 1924 | Ziegfeld Follies of 1924 New Amsterdam Theatre · Original · directed by Julian Mitchell | 295 perf. |
| 1925 | Louie the 14th Cosmopolitan Theatre · Original · directed by Edward Royce | 319 perf. |
| 1926 | Betsy New Amsterdam Theatre · Revival · directed by William Anthony McGuire | 39 perf. |
| 1928 | The Greenwich Village Follies [1928] Winter Garden Theatre · Original · directed by J. C. Huffman | 128 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Anastasia Reilly | 3 productions |
| Virginia King | 2 productions |
| Serge Pernikoff | 2 productions |
| Polly Nally | 2 productions |
| Pauline Mason | 2 productions |
| Martha Lorber | 2 productions |
| Mae Daw | 2 productions |
| Gertrude Selden | 2 productions |
| Frank Lambert | 2 productions |
| Fay West | 2 productions |
| Dorothy Brown | 2 productions |
| Constance Mclaughlin | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- Cast: Will Rogers, Gilda Gray, Gallagher & Shean, Evelyn Law, Andrew Tombes, Florence O’Denishawn, Lulu McConnell, Mary Eaton, Nervo & Knox, Mary Lewis, Alexander Gray, Jack Whitingebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Francis. Introduced by Virginia Earle (Hariette Neville), Oscar Shaw (Bobby), Fred Santley (Jerry), Evelyn Law (Margie), possibly Patricia Clarke (Ophelia), and ensemble. Ira Gershwin’s typed lyric sheet indicates that the song was conceived originally as a trio for “Bobby, Jerry,theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
- THERE’S SOMETHING ABOUT ME THEY LIKE Music by Vincent Youmans. Lyrics by Fred Jackson and Arthur Francis. Introduced by Olin Howland (Atwell), Evelyn Law (Margie), and ensemble. No music is known to survive.theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.