On stage 25 productions, 35 years
| 1924 | Innocent Eyes Winter Garden Theatre · Original · directed by Frank Smithson | 126 perf. |
| 1925 | The Cocoanuts Lyric Theatre · Original · directed by Oscar Eagle | 276 perf. |
| 1926 | George White's Scandals [1926] Apollo Theatre · Original | 432 perf. |
| 1927 | Big Lake American Laboratory · Original · directed by George Auerbach | 11 perf. |
| 1927 | The Cocoanuts Century Theatre · Return-Engagement · directed by Oscar Eagle | 16 perf. |
| 1928 | George White's Scandals [1928] Apollo Theatre · Original · directed by Russell Markert | 240 perf. |
| 1928 | Martine American Laboratory · Original · directed by Richard Boleslavsky | 16 perf. |
| 1929 | George White's Scandals [1929] Apollo Theatre · Original · directed by Florence Wilson | 161 perf. |
| 1929 | Katerina Civic Repertory Theatre · Original · directed by Eva Le Gallienne | 19 perf. |
| 1929 | The Lady from Alfaqueque Civic Repertory Theatre · Original · directed by Eva Le Gallienne | 17 perf. |
| 1930 | A Glass of Water American Laboratory · Original · directed by Maria Germanova | 9 perf. |
| 1930 | The New Yorkers Broadway Theatre · Revival · directed by Monty Woolley | 168 perf. |
| 1931 | Everybody's Welcome Shubert Theatre · Original · directed by William Mollison | 139 perf. |
| 1931 | Simple Simon Majestic Theatre · Revival · directed by Seymour Hicks | 16 perf. |
| 1934 | Gentlewoman Cort Theatre · Original · directed by Lee Strasberg | 12 perf. |
| 1934 | Gold Eagle Guy Morosco Theatre · Original · directed by Lee Strasberg | 65 perf. |
| 1934 | Life Begins at 8:40 Winter Garden Theatre · Original · directed by John Murray Anderson | 237 perf. |
| 1936 | Call It a Day Morosco Theatre · Original · directed by Tyrone Guthrie | 194 perf. |
| 1939 | Du Barry Was a Lady 46th Street Theatre · Original · directed by Edgar MacGregor | 408 perf. |
| 1940 | Walk With Music Ethel Barrymore Theatre · Original · directed by R.H. Burnside | 55 perf. |
| 1941 | Crazy With the Heat 44th Street Theatre · Original · directed by Edward Clarke Lilley | 7 perf. |
| 1941 | Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor | 547 perf. |
| 1943 | Bright Lights of 1944 Forrest Theatre · Original · directed by Dan Eckley | 4 perf. |
| 1950 | The Enchanted Lyceum Theatre · Original · directed by George S. Kaufman | 45 perf. |
| 1959 | A Raisin in the Sun Ethel Barrymore Theatre · Original · directed by Lloyd Richards | 530 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Willie Howard | 4 productions |
| Ann Pennington | 4 productions |
| Stella Adler | 3 productions |
| Russell Collins | 3 productions |
| Peggy Moseley | 3 productions |
| May Slattery | 3 productions |
| Margie O Shea | 3 productions |
| Margaret Manners | 3 productions |
| Lewis Leverett | 3 productions |
| Jean Scott | 3 productions |
| J Edward Bromberg | 3 productions |
| Harry Morrissey | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.