Also credited on7 works
Jekyll & Hyde
The Scarlet Pimpernel
Wonderland
Bonnie and Clyde
Dracula, The Musical
The Civil War
Victor/Victoria
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- “When Steve Cuden and Frank Wildhorn first played Jekyll & Hyde, The Musical for me in the mid-1980s, I thought the libretto was one of the most dynamic, thrilling pieces of musical theater I’d ever heard. And now with Beating Broadway , Steve has written another smash hit, which I predict will inspire the development of many long running…ebooks/Cuden, Steve/Beating Broadway_ How to Create Stories for Musicals That Get Standing Ovations - Steve Cuden.txt
- In 1987, Frank and I also co-conceived a less well-known musical that we originally called Vienna . That show was later produced on stages throughout Europe, Japan, and Korea, under the title, Rudolf, Affaire Mayerling . As with Jekyll , I’m no longer involved in Rudolf’s day-to-day creative life, but I retain a credit on the show of “Con…ebooks/Cuden, Steve/Beating Broadway_ How to Create Stories for Musicals That Get Standing Ovations - Steve Cuden.txt
- Steve Cuden co-created the hit Broadway and international musical Jekyll & Hyde , writing the show’s original book and lyrics with noted composer Frank Wildhorn. Jekyll & Hyde played for nearly four years on Broadway from 1997-2001. The show has enjoyed four US national tours and has been performed throughout the United States by hundreds…ebooks/Cuden, Steve/Beating Broadway_ How to Create Stories for Musicals That Get Standing Ovations - Steve Cuden.txt
- Music: Henry Mancini; additional musical material Frank Wildhorn (asterisk denotes Wildhorn)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Among the newer voices is one composer who can’t get a break, Frank Wildhorn. More than anyone else, he has concentrated on figures of myth; Wildhorn has turned to the Dr. Jekyll/Edward Hyde dual-personality, The Scarlet Pimpernel, Dracula , and Alice in Wonderland for various shows, which tend to get terrible notices and, frankly, often…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- I don’t remember a lot of it. I remember I had big hats. I liked the music. It was after Jekyll and Hyde so Frank Wildhorn had cachet. I loved Doug Sills. He was amazing. Christine Andreas, so great. It was actually a really great experience even though it didn’t do well.ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.