On stage 30 productions, 40 years
| 1923 | Stepping Stones Globe Theatre · Original · directed by Mary Read | 281 perf. |
| 1924 | Marjorie Shubert Theatre · Original · directed by W. H. Gilmore | 144 perf. |
| 1924 | Sweet Little Devil Astor Theatre · Original · directed by Edgar MacGregor | 120 perf. |
| 1930 | Stepping Sisters Belmont Theatre · Original | 333 perf. |
| 1931 | Betty, Be Careful Liberty Theatre · Original · directed by Earle Boothe | 8 perf. |
| 1932 | Blue Monday Provincetown Playhouse · Original | 20 perf. |
| 1936 | It Can't Happen Here Adelphi Theatre · Original · directed by Vincent Sherman | 95 perf. |
| 1937 | A Hero Is Born Adelphi Theatre · Original · directed by Edward Goodman | 50 perf. |
| 1938 | Glorious Morning Mansfield Theatre · Original | 9 perf. |
| 1938 | Madame Capet Cort Theatre · Original · directed by José Ruben | 7 perf. |
| 1938 | The Shoemakers' Holiday Mercury Theatre · Revival · directed by Hiram Sherman | 69 perf. |
| 1939 | Key Largo Ethel Barrymore Theatre · Original · directed by Guthrie McClintic | 105 perf. |
| 1940 | Journey to Jerusalem National Theatre · Original · directed by Elmer Rice | 17 perf. |
| 1941 | Cuckoos on the Hearth Morosco Theatre · Original · directed by Antoinette Perry | |
| 1941 | Gabrielle Maxine Elliotts Theatre · Original · directed by Randolph Carter | 2 perf. |
| 1941 | The Trojan Women Cort Theatre · Original · directed by Margaret Webster | 1 perf. |
| 1942 | Solitaire Plymouth Theatre · Revival · directed by Dudley Digges | 23 perf. |
| 1943 | Outrageous Fortune 48th Street Theatre · Original | 77 perf. |
| 1944 | In Bed We Cry Belasco Theatre · Original | 47 perf. |
| 1945 | Signature Forrest Theatre · Original · directed by Roy Hargrave | 2 perf. |
| 1945 | The Rich Full Life John Golden Theatre · Original | 27 perf. |
| 1947 | Miracle in the Mountains Playhouse Theatre · Original | 3 perf. |
| 1950 | The Tower Beyond Tragedy Anta Playhouse · Original · directed by Robert Ross | 32 perf. |
| 1951 | The King of Friday's Men Playhouse Theatre · Original · directed by David Alexander | 4 perf. |
| 1952 | First Lady City Center · Revival · directed by David Alexander | 15 perf. |
| 1956 | Saint Joan Phoenix Theatre · Revival · directed by Albert Marre | 77 perf. |
| 1959 | Happy Town 54th Street Theatre · Original · directed by Allan A. Buckhantz | 5 perf. |
| 1960 | Caligula 54th Street Theatre · Original · directed by Sidney Lumet | 38 perf. |
| 1961 | Daughter of Silence Music Box Theatre · Original · directed by Vincent J. Donehue | 36 perf. |
| 1963 | Hidden Stranger Longacre Theatre · Original · directed by Peter Cotes | 7 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Viola Swayne | 2 productions |
| Victor Thorley | 2 productions |
| Victor Kilian | 2 productions |
| Tom Greenway | 2 productions |
| Robert Harrison | 2 productions |
| Robert Bruce | 2 productions |
| Raymond Southwick | 2 productions |
| Paulette Winston | 2 productions |
| Minnie Stanley | 2 productions |
| Louis Cruger | 2 productions |
| Karl Malden | 2 productions |
| James O Rear | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.