On stage 13 productions, 45 years
| 1903 | Babette Broadway Theatre · Original · directed by Frederick G. Latham | 59 perf. |
| 1904 | The Two Roses Broadway Theatre · Original · directed by Fred G. Latham | 29 perf. |
| 1905 | Boccaccio Broadway Theatre · Revival | |
| 1905 | Mlle. Modiste Knickerbocker Theatre · Original · directed by Fred Latham | 202 perf. |
| 1906 | Mlle. Modiste Knickerbocker Theatre · Return-Engagement · directed by Fred G. Latham | 22 perf. |
| 1907 | Mlle. Modiste Knickerbocker Theatre · Return-Engagement · directed by Fred G. Latham | 21 perf. |
| 1908 | The Prima Donna Knickerbocker Theatre · Revival · directed by Fred G. Latham | 72 perf. |
| 1910 | The Mikado Casino Theatre · Revival · directed by Joseph Herbert | 48 perf. |
| 1911 | The Duchess Lyric Theatre · Original · directed by J. C. Huffman | 24 perf. |
| 1914 | Pretty Mrs. Smith Casino Theatre · Original · directed by T. Daniel Frawley | 48 perf. |
| 1928 | Sherlock Holmes Cosmopolitan Theatre · Revival · directed by Clifford Brook | 16 perf. |
| 1929 | Mlle. Modiste Jolsons 59th Street Theatre · Revival · directed by Milton Aborn | 48 perf. |
| 1948 | Bravo! Lyceum Theatre · Original | 44 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Josephine Bartlett | 7 productions |
| Bertha Holly | 6 productions |
| Ada Meade | 6 productions |
| William Pruette | 4 productions |
| Teckla Morton | 4 productions |
| Nellie Parkes | 4 productions |
| Louise le Baron | 4 productions |
| Grace Spencer | 4 productions |
| Blanche Morrison | 4 productions |
| Robert Hunt | 3 productions |
| R W Hunt | 3 productions |
| Peter Canova | 3 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast : Fritzi Scheff, Walter Percival, William Pruette, Claude Gillingwater, Josephine Bartlettebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Mlle. Modiste. Fritzi Scheff in the final scene at the charity bazaar in the gardens of the Château de St. Mar. From the left are Walter Percival (in uniform), William Pruette, and Claud Gillingwater. (Byron)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- 65 . “Fritzi Scheff as Babette,” New York Times , Nov. 17, 1903. Quoted in Bordman, Chronicle , 197.ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt
- Herbert then scored two successive hits with Mlle Modiste and The Red Mill , both with librettos by Henry Blossom (1866–1919). Mlle Modiste starred Fritzi Scheff in the role of the milliner Fifi. The Viennese-born Scheff (1879–1954) had trained as an opera singer and performed at the Metropolitan Opera House before decamping to Broadway w…ebooks/Music, The Cambridge Companion To The Musical Cambridge Companions To/Cambridge Companion to the Musical (Cambridge Companions to Music), The - The Cambridge Companion To The Musical Cambridge Companions To Music.txt
- a comic opera which brought Fritzi Scheff, who had been singing sixteen leading roles with the Metropolitan Opera Company while still in her teens, to the Broadway stage for the first time; Paula Edwardes bowing as a star in “Winsome Winnie” with Julia Sanderson in a minor role; Anna Held in “Mam’selle Napoleon;” Irene Bentley in “The Gir…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- and Fields, was playing in “Lady Teazle,” a musical version of Sheridan’s “The School For Scandal.” Charles B. Dillingham, was presenting Fritzi Scheff in a musical version of Goldsmith’s “She Stoops to Conquer,” called “The Two Roses.” George M. Cohan had his first starring engagement in “Littletheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.