On stage 10 productions, 40 years
| 1935 | Dead End Belasco Theatre · Original | 687 perf. |
| 1955 | Ankles Aweigh Mark Hellinger Theatre · Original · directed by Fred F. Finklehoffe | 176 perf. |
| 1963 | Marathon '33 Anta Playhouse · Original · directed by Tim Everett | 48 perf. |
| 1964 | Anyone Can Whistle Majestic Theatre · Original · directed by Arthur Laurents | 9 perf. |
| 1964 | Luv Booth Theatre · Original · directed by Mike Nichols | 901 perf. |
| 1964 | The Sign in Sidney Brustein's Window Longacre Theatre · Original · directed by Peter Kass | 101 perf. |
| 1967 | Something Different Cort Theatre · Original | 111 perf. |
| 1971 | The Prisoner of Second Avenue Eugene Oneill Theatre · Original · directed by Mike Nichols | 798 perf. |
| 1972 | Fun City Morosco Theatre · Original · directed by Jerry Adler | 9 perf. |
| 1975 | Lamppost Reunion Little Theatre · Original · directed by Tom Signorelli | 77 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.