On stage 6 productions, 23 years
| 1950 | Out of This World New Century Theatre · Original · directed by Agnes de Mille | 157 perf. |
| 1953 | Wonderful Town Winter Garden Theatre · Original · directed by George Abbott (Jerome Robbins uncredited) | 559 perf. |
| 1963 | The Lady of the Camellias Winter Garden Theatre · Revival · directed by Franco Zeffirelli | 13 perf. |
| 1964 | Any Wednesday Music Box Theatre · Original · directed by Henry Kaplan | 983 perf. |
| 1967 | Of Love Remembered Anta Playhouse · Original · directed by Burgess Meredith | 9 perf. |
| 1973 | Gigi Uris Theatre · Revival · directed by Joseph Hardy | 103 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Paul Lyday | 2 productions |
| Alvin Beam | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- 91 Adolph Green married Allyn Ann McLerie on 21 March 1947. They divorced in 1953 and she married the actor George Gaynes the same year.ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- First performance: 19 January 1953, New Haven, CT, Shubert Theater, cast incl. Rosalind Russell (Ruth), Edith Adams (Eileen), George Gaynes (Robert Baker), Jordan Bentley (Wreck), Cris Alexander (Frank); Donald Saddler (choreo.), George Abbott (dir.), Lehman Engel (cond.)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Incidentally, original cast member George Jongeyans (and later Jon Geyans) finally settled on the stage name George Gaynes. As Jongeyans, he appeared as Jupiter in Cole Porter’s 1950 musical Out of This World (and introduced “I, Jupiter, I, Rex” and “Hark to the Song of the Night”). As Gaynes, he created the role of Robert Baker in the 19…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : William Redfield (Mercury), George Jongeyans (aka Jon Geyans, and then later George Gaynes) (Jupiter), Priscilla Gillette (Helen), Frank Milton (Waiter), William Eythe (Art O’Malley), Janet Collins (Night), Peggy Rea (Vulcana), Charlotte Greenwood (Juno), Barbara Ashley (Chloe), David Burns (Niki Skolianos), Ray Harrison (Strephon)…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Christopher Street” (Warren Galjour, Villagers); “Ohio” (Rosalind Russell, Edith Adams); “Conquering New York” (dance) (Rosalind Russell, Edith Adams, David Lober, Dody Goodman, Villagers); “One Hundred Easy Ways” (Rosalind Russell); “What a Waste” (George Gaynes, Warren Galjour, Albert Linville); “Story Vignettes” (by Betty Com…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Thank You” (Eddie Albert); “Never Get Lost” (Eddie Albert, Anita Darian, Emile Renan, Karen Anders); “Tell It to Bart” (G. Wood, William Pierson, Al Checco, Charles Welch); “It’s in the Cards” (George Gaynes); “Shave and a Haircut” (Eddie Albert); “Song of the Arrow” (Evelyn Lear); “Cop’s Lament” (Dean Dittman); “Such a Little W…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.