On stage 26 productions, 18 years
| 1913 | Her Own Money Comedy Theatre · Original | 55 perf. |
| 1914 | The High Cost of Loving Theatre Republic · Original | 75 perf. |
| 1914 | The Rule of Three Harris Theatre · Original | 80 perf. |
| 1915 | Hands Up 44th Street Theatre · Original · directed by J. H. Benrimo | 52 perf. |
| 1915 | Ruggles of Red Gap Fulton Theatre · Original · directed by J. H. Benrimo | 33 perf. |
| 1916 | The Girl from Brazil 44th Street Theatre · Original · directed by J. H. Benrimo | 61 perf. |
| 1916 | The Tempest Century Theatre · Revival · directed by Louis Calvert | 32 perf. |
| 1917 | Love o' Mike Shubert Theatre · Original · directed by J. H. Benrimo | 233 perf. |
| 1918 | The Passing Show of 1918 Winter Garden Theatre · Original · directed by Jack Mason | 142 perf. |
| 1919 | Good Morning, Judge Shubert Theatre · Original · directed by Wybert Stamford | 140 perf. |
| 1919 | Shubert Gaieties of 1919 44th Street Theatre · Original · directed by J. C. Huffman | 87 perf. |
| 1920 | Florodora Century Theatre · Revival · directed by Lewis Morton | 150 perf. |
| 1922 | The Passing Show of 1922 Winter Garden Theatre · Original · directed by J. C. Huffman | 85 perf. |
| 1923 | The Passing Show of 1923 Winter Garden Theatre · Original · directed by J. C. Huffman | 118 perf. |
| 1924 | The Passing Show of 1924 Winter Garden Theatre · Original · directed by J. C. Huffman | 106 perf. |
| 1924 | The Student Prince Jolsons 59th Street Theatre · Original · directed by J. C. Huffman | 608 perf. |
| 1924 | The Student Prince In Heidelberg Jolson’s 59th Street Theatre · Original · directed by J. C. Huffman | 608 perf. |
| 1925 | The Servant in the House 48th Street Theatre · Revival | 8 perf. |
| 1926 | Countess Maritza Shubert Theatre · Original · directed by J. C. Huffman | 321 perf. |
| 1927 | The Circus Princess Winter Garden Theatre · Original · directed by J. C. Huffman | 192 perf. |
| 1927 | The Wild Man of Borneo Bijou Theatre · Original | 15 perf. |
| 1928 | Chee-Chee Mansfield Theatre · Original · directed by Alexander Leftwich | 31 perf. |
| 1928 | Hello, Daddy Mansfield Theatre · Original · directed by John Murray Anderson | 198 perf. |
| 1928 | The Optimists Casino De Paris · Original · directed by Jack Haskell | 24 perf. |
| 1930 | Artists and Models [1930] Majestic Theatre · Original · directed by Frank Smithson | 55 perf. |
| 1931 | The Student Prince Majestic Theatre · Revival · directed by Edward Scanlon | 42 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Edith Pierce | 4 productions |
| Walter Woolf | 3 productions |
| Rose Lee | 3 productions |
| Perle Germonde | 3 productions |
| Orilla Smith | 3 productions |
| Harriet Gustin | 3 productions |
| Gypsy Mooney | 3 productions |
| Florence Wilde | 3 productions |
| Dorothy Bruce | 3 productions |
| Billy Wagner | 3 productions |
| Willie Howard | 2 productions |
| William Pringle | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature1 passages
- Cast: Yvonne D’Arle, Walter Woolf, Odette Myrtil, Carl Randall, Harry K. Morton, Vivian Hart, George Hassellebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.