Theatre Register

George Roy Hill

Shows · George Roy Hill

Director 1921–2002 On stage 1951

George Roy Hill (December 20, 1921 – December 27, 2002) was an American film director. His films include Butch Cassidy and the Sundance Kid (1969) and The Sting (1973), both starring Paul Newman and Robert Redford. Both films also earned him nominations for the Academy Award for Best Director; he won for the latter. Hill also directed The World of Henry Orient (1964), Hawaii (1966), Thoroughly Modern Millie (1967), Slaughterhouse-Five (1972), The Great Waldo Pepper (1975), Slap Shot (1977), A Little Romance (1979), The World According to Garp (1982) and his final film Funny Farm (1988). According to one obituary "few directors achieved such fame and success... even fewer enjoyed such eminenc…

On stage 2 productions

1951 King Richard II City Center · Revival · directed by Margaret Webster 15 perf.
1951 The Taming of the Shrew City Center · Revival 15 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once5 names

Reynolds Evans 2 productions
Joseph Dooley 2 productions
John Straub 2 productions
John Glennon 2 productions
Cavada Humphrey 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 5 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on2 works

Greenwillow
Thoroughly Modern Millie

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

  • George Roy Hill adjudged Tony’s singing “remarkably good. It didn’t have the timbre of a real Broadway voice, but it didn’t have the hard edge. It had a quality of its own.” Alas, that quality was too specialized or offbeat for the time, and poor word of mouth hurt Greenwillow at the box office. Advance ticket sales were enough to keep th…ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
  • It was a show of firsts: Anthony Perkins made his musical theatre debut as Gideon, and to accommodate the star, George Roy Hill, who had directed Perkins in Look Homeward, Angel, was hired to direct his first musical. Though Loesser began work on the show alone (after it was turned down by Lerner and Loewe, perhaps because of similarities…ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

Something wrong here? Correct a field or report the problem. Every change is recorded in public under the contributor licence.