On stage 7 productions, 71 years
| 1899 | Adonis Bijou Theatre · Revival | 15 perf. |
| 1928 | Animal Crackers 44th Street Theatre · Original · directed by Oscar Eagle | 191 perf. |
| 1929 | Sons O' Guns Imperial Theatre · Original · directed by Albertina Rasch | 295 perf. |
| 1930 | The Last Man In Waldorf Theatre · Revival · directed by Rev. Robert M. Gibson | 1 perf. |
| 1957 | New Girl In Town 46th Street Theatre · Original · directed by George Abbott | 431 perf. |
| 1963 | Jennie Majestic Theatre · Original · directed by Vincent J. Donehue | 82 perf. |
| 1970 | Company Alvin Theatre · Original · directed by Harold Prince | 705 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| Preston Lewis | 2 productions |
| Milton Watson | 2 productions |
| Marcelle Miller | 2 productions |
| Frances Wise | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature5 passages
- Act One: “Roll Yer Socks Up” (H. F. Green, Dancers, Singers); “Anna Lilla” (Cameron Prud’homme); “Sunshine Girl” (Del Anderson, Eddie Phillips, Mark Dawson); “On the Farm” (Gwen Verdon); “Flings” (Thelma Ritter, Gwen Verdon, Mara Landi); “It’s Good to Be Alive” (Gwen Verdon); “Look at ’Er” (George Wallace); “It’s Good to Be Alive” (repris…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Gwen Verdon, Thelma Ritter, George Wallace, Cameron Prud‘homme, Mark Dawsonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- * On Company ’s national tour, the role of David—the guy who makes the crack about the Seagram building—was played by George Wallace, who fielded a strong baritone. Dropping in on the show, Prince gave Wallace a note: “George, you’re singing too well.” In other words, he didn’t sound natural any more. He sounded like someone in a musical.…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- New Girl in Town was not full of voice. Verdon's romantic vis-avis, George Wallace, had a big round baritone; but there the vocal casting ended. As in any musical, certain roles called for actors whose primary function was to sing well. The bartender of whom Verdon ordered that famous "Whiskey, ginger ale on the sideand don't be stingy, b…ebooks/Mordden, Ethan/B0035RP5R8 EBOK - Ethan Mordden.txt
- Johnny Stewart, 6. Jane A. Johnston, 7. George Wallace, 8. Tandy Cronyn, 9. Julie Wilson, 10. Nolan Van Way, 11. Louise Flaningam, 12. Carolyn Kirsch, Susan Plantt, 13. Rollv Fanton, 14. Sindy Hawke, Leilani Johnson, Marytheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.