On stage 3 productions, 3 years
| 1951 | Romeo and Juliet Broadhurst Theatre · Revival · directed by Peter Glenville | 49 perf. |
| 1954 | Fanny Majestic Theatre · Revival · directed by Joshua Logan | 888 perf. |
| 1954 | The Threepenny Opera Theatre de Lys · Original · directed by Carmen Capalbo | 95 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
In the literature3 passages
- Act One: “Never Too Late for Love” (Walter Slezak, Ensemble); “Cold Cream Jar Song” (Walter Slezak); “Octopus Song” (Gerald Price); “Restless Heart” (William Tabbard, Male Ensemble); “Why Be Afraid to Dance?” (Ezio Pinza; danced by Ezio Pinza, William Tabbard, Florence Henderson, Ensemble); “Never Too Late for Love” (reprise) (Ezio Pinza,…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Lotte Lenya, Scott Merrill, Leon Lishner, Jo Sullivan, Charlotte Rae, Beatrice Arthur, Gerald Price, John Astin, Joseph Beruh, Gerrianne Raphaelebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Cast: Ezio Pinza, Walter Slezak, Florence Henderson, William Tabbert, Nejla Ates, Gerald Price, Alan Carneyebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.