On stage 6 productions, 18 years
| 1932 | Ballyhoo of 1932 44th Street Theatre · Original · directed by Bobby Connolly | 95 perf. |
| 1936 | Red, Hot, and Blue Alvin Theatre · Original · directed by Howard Lindsay | 183 perf. |
| 1942 | Keep 'em Laughing 44th Street Theatre · Original · directed by Clifford Fischer | 77 perf. |
| 1942 | Top-Notchers 44th Street Theatre · Original | 48 perf. |
| 1949 | All for Love Mark Hellinger Theatre · Original · directed by Edward Reveaux | 121 perf. |
| 1950 | Tickets, Please! Coronet Theatre · Original · directed by Mervyn Nelson | 245 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Paul Hartman | 6 productions |
| Zero Mostel | 2 productions |
| The Bricklayers | 2 productions |
| Ruth Josephs | 2 productions |
| Rita Berry | 2 productions |
| Pinto | 2 productions |
| Phil Romano S Orchestra | 2 productions |
| Paddy Barker | 2 productions |
| Norma Richter | 2 productions |
| Michael Neale | 2 productions |
| Marji Beeler | 2 productions |
| Lucy Lewis | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature7 passages
- Cast : Grace Hartman , Paul Hartman , Jack Albertson, Dorothy Jarnac, Patricia Bright, Tommy Wonder, Roger Price, Bill Norvas, The Upstarts (Dee Arlen, Larry Kert, Ronnie Edwards, and Phyllis Cameron), Stuart Wade, Midge Parker, Mildred Hughesebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Jimmy Durante, Ethel Merman, Bob Hope, Polly Walters, Paul & Grace Hartman, Vivian Vance, Lew Parkerebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- A new revue, Tickets, Please, with Paul and Grace Hartman, was having trouble in Boston, and the director was fired. Abbott was called in. He needed a stage manager to go with him to Boston. Since Griffith was in Europe at the time, Abbott asked Prince to become his first assistant stage manager. The show opened in New York on 27 April 19…ebooks/Ilson, Carol/Harold Prince_ A Director's Journey - Carol Ilson.txt
- C AST : Jimmy Durante, Ethel Merman (as “Nails” O’Reilly Duquesne), Bob Hope, Paul Hartman, Grace Hartman, Polly Walters, Prentiss Davis, Leo Shippers, Bernard Jannsen, Bill Bennerebooks/Kellow, Brian/Ethel Merman_ A Life - Brian Kellow.txt
- They collaborated on organizing a 1942 revue called Keep 'Enl Laughing-but it didn't, even with Hildegarde, Paul and Grace Hartman, the Jack Cole Dancers, and, in a minor comic spot, a young Zero Mostel making his Broadway debut. At this point, Gaxton decided to give Hollywood one more chance. He accepted a secondary role in Best Foot For…ebooks/Viagas, Robert/I'm the Greatest Star_ Broadway's Top Musical Legends from 1900 to Today - Robert Viagas.txt
- Jimmy Durante, Bob Hope and Paul and Grace Hartman, “Ziegfeld Follies” with Fannie Brice, Bobby Clark, Jane Pickens, Josephine Baker and Gypsy Rose Lee, and “Forbidden Melody” BOB HOPE, ETHEL MERMAN in “RED, HOT ANDtheatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.