Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Composer Mark Hollmann and bookwriter Greg Kotis—who both collaborated on the lyrics—did want to find another name. The best they could ever come up with, however, was You’re in Town. Ultimately they felt that that title would be unfair to the public, who wouldn’t be able to infer from You’re in Town what was really on the authors’ minds:…ebooks/Filichia, Peter/B007L4OWCU EBOK - Peter Filichia.txt
- The plot and score (by composer Mark Hollmann and book writer Greg Kotis) were in marked contrast to The Drowsy Chaperone’s score by Lisa Lambert and Greg Morrison and Bob Martin’s book. This was a nostalgic tour down memory lane, in which a “Man in Chair” enjoys a bootleg recording of a musical from the twenties. He gets so immersed that…ebooks/Filichia, Peter/Strippers, Showgirls, and Sharks - Peter Filichia.txt
- Unable to afford the price of admission to a public toilet while in Paris, Greg Kotis conceived the idea of a corporation owning the rights to a city’s water supply and allowing the citizens to use public facilities for a fee. He thought it would have to be a musical “because it is so absurd.” As it developed, it became a satiric commenta…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Urinetown is a highly entertaining and funny show, but its underlying plot (supported by Mark Hollman and Greg Kotis’s dark Kurt Weill–esque score) is actually a satiric comment on corporate culture and greed. While much hysterical mayhem ensues, multiple characters die or are murdered. This, however, doesn’t stop the characters from sing…ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
- Anyone who has seen Urinetown will be familiar with that sensation. Greg Kotis and Mark Hollmann, the show’s authors, were two of the driving forces behind Cardiff Giant, and for those of us who saw their Chicago shows ten or more years ago, part of the excitement of Urinetown is in seeing that anarchic, bizarre, Chicago storefront sensib…ebooks/Kotis, Greg/Urinetown_ The Musical - Greg Kotis & Mark Hollmann.txt
- The Cardiff Giant Theater Company ensemble, Chicago, 1988. Clockwise from left: Greg Kotis, Mark Hollmann, John Hildreth, Bob Fisher, and Phil Ridarelli (CAROLYN SCHNEIDER/MS. SCHNEIDERebooks/Kotis, Greg/Urinetown_ The Musical - Greg Kotis & Mark Hollmann.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — lyricist, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.