On stage 5 productions, 24 years
| 1953 | Can-Can Shubert Theatre · Original · directed by Abe Burrows | 892 perf. |
| 1959 | Tall Story Belasco Theatre · Original · directed by Herman Shumlin | 108 perf. |
| 1971 | 70, Girls, 70 Broadhurst · Original | 36 perf. |
| 1973 | Irene Minskoff Theatre · Revival · directed by Gower Champion | 594 perf. |
| 1977 | Something Old, Something New Morosco Theatre · Original · directed by Robert H. Livingston | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once1 names
| George S. Irving | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking.
In the literature8 passages
- Act One: “Maidens Typical of France” (The Laundresses); “Never Give Anything Away” (Lilo); “C’est magnifique” (Lilo, Peter Cookson); “Quadrille” (dance) (Gwen Verdon, The Laundresses, Friends, Bert May); “Come Along with Me” (Erik Rhodes, Hans Conried); “Live and Let Live” (Lilo); “I Am in Love” (Peter Cookson); “If You Loved Me Truly” (H…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Never, Never Be an Artist” (Hans Conried, Phil Leeds, Robert Penn, Richard Purdy, Pat Turner); “It’s All Right with Me” (Peter Cookson); “Every Man Is a Stupid Man” (Lilo); “The Apaches” (dance) (Gwen Verdon, Dancers, Ralph Beaumont); “I Love Paris” (Lilo); “C’est magnifique” (reprise) (Peter Cookson, Lilo); “Can-Can” (Lilo, Gwe…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- G wen Verdon had a mild shock when she arrived at the Shubert Theater in Philadelphia on the day of the take-in, March 16, 1953. There was a guy up on a ladder, holding a ruler, measuring the size of the name Hans Conried. He was comparing it to the size of the other stars, Lilo and Peter Cookson. The surprising thing was that the guy hol…ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
- Not that Hans Conried had to worry about credit. He was a tall, thin, and quirky comic actor who played a mad Bulgarian sculptor named Boris Adzinidzinadze; he gave the show a very rich offbeat edge. Gwen Verdon was cast as Claudine, his lover, and she got about half his billing. But that would change. She’d come out of the show with a bi…ebooks/Feuer, Cy/B003L77WUK EBOK - Cy Feuer & Ken Gross.txt
- Cast: Lilo, Peter Cookson, Hans Conried, Gwen Verdon, Erik Rhodes, Dania Krupska, Phil Leeds, DeeDee Woodebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Hans Conried, Beryl Towbin (pre-Bdwy), Molly Picon, Matthew Tobin Top Left: Hans Conried, Molly Picontheatre-pdfs/Theatre World/Theatre World, 1976-77 Season, v. 33 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.