On stage 14 productions, 27 years
| 1891 | A Trip to Chinatown Madison Square Theatre · Original · directed by Charles H. Hoyt | 657 perf. |
| 1897 | A Stranger in New York Garrick Theatre · Original | 64 perf. |
| 1901 | The Girl from Up There Herald Square Theatre · Original · directed by Julian Mitchell | 96 perf. |
| 1902 | Fad and Folly Mrs Osborns Playhouse · Original · directed by Lewis Hooper | 34 perf. |
| 1903 | The Blonde in Black Knickerbocker Theatre · Original · directed by Max Freeman | 35 perf. |
| 1908 | The Blue Mouse Lyric Theatre · Original | 232 perf. |
| 1911 | Marriage a la Carte Casino Theatre · Original · directed by Austen Hurgon | 64 perf. |
| 1911 | Next Dalys Theatre · Original | 18 perf. |
| 1912 | A Winsome Widow Moulin Rouge · Original · directed by Julian Mitchell | 172 perf. |
| 1912 | The Opera Ball Liberty Theatre · Original | 32 perf. |
| 1914 | Lady Luxury Casino Theatre · Original · directed by J. H. Benrimo | 35 perf. |
| 1914 | When Claudia Smiles 39th Street Theatre · Original · directed by Charles J. Winninger | 56 perf. |
| 1915 | Alone at Last Shubert Theatre · Original · directed by J. H. Benrimo | 180 perf. |
| 1918 | Fancy Free Astor Theatre · Original · directed by J. C. Huffman | 116 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once9 names
| Blanche Ring | 3 productions |
| Virginia Lee | 2 productions |
| Marie Allen | 2 productions |
| Kathleen Clifford | 2 productions |
| Harry Kelly | 2 productions |
| George Wagner | 2 productions |
| Emmy Wehlen | 2 productions |
| Elba Kenny | 2 productions |
| Charles Brown | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature1 passages
- CHARLES KING, ELIZABETH BRICE, EMMY WEHLEN, HARRY CONOR, IDA ADAMS, CHARLES J. ROSS, KATHLEEN CLIFFORD in “& WINSOME WIDOW”theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.