Harry Warren

On stage 2 productions, 2 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once10 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on5 works

Shangri-La
42nd Street
Fosse
Swing!
42nd Street

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Based upon the Bradford Ropes novel and featuring songs by Harry Warren and A1 Dubin, the 1933 Warner Brothers film starring Ruby Keeler, Dick Powell, Bebe Daniels, Warner Baxter, and Ginger Rogers recounted chorine Peggy Sawyer’s meteoric rise to stardom via her last-minute stand-in for the ailing leading lady of a Broadway spectacular t…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
• 19. Mark Bramble and Michael Stewart, book; music by Harry Warren, lyrics by Al Dubin, 42nd Street , Tams-Witmark Music Library, 1–2–19.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
• 20. Stanley Kauffmann, “Nimble Feet, Fumbling Hands,” review of 42nd Street , book by Michael Stewart and Mark Bramble, music by Harry Warren, lyrics by Al Dubin, directed by Gower Champion, Winter Garden Theatre, New York, Saturday Review , n.d. 1980 (from clippings file), 88.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
• 24. Frank Rich, review of 42nd Street , book by Michael Stewart and Mark Bramble, music by Harry Warren, lyrics by Al Dubin, directed by Gower Champion, Winter Garden Theatre, New York, New York Times , August 26, 1980.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
• 25. John Simon, “And Still Champion,” review of 42nd Street , book by Michael Stewart and Mark Bramble, music by Harry Warren, lyrics by Al Dubin, directed by Gower Champion, Winter Garden Theatre, New York, New York Magazine , September 8, 1980, 75.ebooks/Hoffman, Warren/Great White Way_ Race and the Broadway Musical, The - Warren Hoffman.txt
• 65 . Gottlieb, Funny, It Doesn’t Sound Jewish . Gottlieb’s best-known example of an American popular song using the Adonai malach mode is probably Harry Warren and Mack Gordon’s “At Last” (p. 130).ebooks/Lambert, Philip/B00590X4L8 EBOK - Philip Lambert.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.