On stage 23 productions, 18 years
| 1917 | The Grass Widow Liberty Theatre · Original · directed by George Marion | 43 perf. |
| 1920 | The Greenwich Village Follies of 1920 Greenwich Village Theatre · Original · directed by Jack Manning | 217 perf. |
| 1921 | Blossom Time Ambassador Theatre · Original · directed by J. C. Huffman | 516 perf. |
| 1924 | The Student Prince Jolsons 59th Street Theatre · Original · directed by J. C. Huffman | 608 perf. |
| 1924 | The Student Prince In Heidelberg Jolson’s 59th Street Theatre · Original · directed by J. C. Huffman | 608 perf. |
| 1927 | Cherry Blossoms 44th Street Theatre · Original · directed by Lew Morton | 56 perf. |
| 1927 | Show Boat Ziegfeld Theatre · Original · directed by Zeke Colvan | 572 perf. |
| 1930 | The Well of Romance Craig Theatre · Original · directed by Leon Leonidoff | 8 perf. |
| 1931 | H.M.S. Pinafore Erlangers Theatre · Revival · directed by Milton Aborn | 17 perf. |
| 1931 | Iolanthe Erlangers Theatre · Revival · directed by Milton Aborn | 24 perf. |
| 1931 | Patience Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1931 | The Gondoliers Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1931 | The Mikado Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1931 | The Pirates Of Penzance Erlangers Theatre · Revival · directed by Milton Aborn | 24 perf. |
| 1931 | Trial by Jury & H.M.S. Pinafore Erlangers Theatre · Revival · directed by Milton Aborn | 16 perf. |
| 1932 | Robin Hood Erlangers Theatre · Revival · directed by Milton Aborn | 29 perf. |
| 1932 | The Dubarry George M Cohans Theatre · Original · directed by Dorothea Berke | 87 perf. |
| 1932 | The Gondoliers Erlangers Theatre · Revival · directed by Milton Aborn | 8 perf. |
| 1935 | The Gondoliers Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
| 1935 | The Mikado Adelphi Theatre · Revival · directed by R.H. Burnside | 16 perf. |
| 1935 | The Pirates Of Penzance Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
| 1935 | The Yeomen of the Guard Adelphi Theatre · Revival | 12 perf. |
| 1935 | Trial by Jury & H.M.S. Pinafore Adelphi Theatre · Revival · directed by R.H. Burnside | 12 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| William Danforth | 14 productions |
| Gertrude Waldon | 13 productions |
| Frank Moulan | 13 productions |
| Frances Baviello | 13 productions |
| Eleanor Gilmore | 11 productions |
| Vivian Hart | 9 productions |
| Vera Ross | 9 productions |
| Rosa Rubenstein | 9 productions |
| Mabel Thompson | 9 productions |
| Patricia Clark | 8 productions |
| Isabel Norwood | 8 productions |
| Frank Murray | 8 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature1 passages
- Their daughter, Magnolia (soprano Norma Terris) and Gaylord Ravenal (tenor Howard Marsh, though revivals often cast a baritone).ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.