On stage 22 productions, 42 years
| 1926 | The Blonde Sinner Cort Theatre · Original · directed by Edwin Vail | 173 perf. |
| 1927 | Trial Marriage Wallacks Theatre · Original · directed by George Smithfield | 24 perf. |
| 1930 | Broadway Shadows Belmont Theatre · Original | 16 perf. |
| 1930 | Princess Charming Imperial Theatre · Original · directed by Edward Clarke Lilley | 56 perf. |
| 1932 | Bulls, Bears and Asses Playhouse Theatre · Original · directed by Melville Burke | 2 perf. |
| 1933 | Keeper of the Keys Fulton Theatre · Original | 23 perf. |
| 1934 | Tomorrow's Harvest 49th Street Theatre · Original · directed by Frank Merlin | 4 perf. |
| 1935 | Triumph Fulton Theatre · Original · directed by Priestly Morrison | 8 perf. |
| 1941 | Cuckoos on the Hearth Morosco Theatre · Original · directed by Antoinette Perry | |
| 1942 | Janie Henry Millers Theatre · Original · directed by Antoinette Perry | 642 perf. |
| 1942 | Under This Roof Windsor Theatre · Original | 17 perf. |
| 1944 | The Late George Apley Lyceum Theatre · Original | 384 perf. |
| 1946 | Born Yesterday Lyceum Theatre · Original | 1,642 perf. |
| 1946 | The Fatal Weakness Royale Theatre · Original | 119 perf. |
| 1949 | Two Blind Mice Cort Theatre · Original | 157 perf. |
| 1952 | Jane Coronet Theatre · Original · directed by Cyril Ritchard | 100 perf. |
| 1954 | His and Hers 48th Street Theatre · Original · directed by Michael Gordon | 76 perf. |
| 1956 | Li’l Abner St. James Theatre · Original · directed by Michael Kidd | 693 perf. |
| 1956 | Someone Waiting John Golden Theatre · Original · directed by Allan Davis | 15 perf. |
| 1959 | The Highest Tree Longacre Theatre · Original | 21 perf. |
| 1961 | Mary, Mary Helen Hayes Theatre · Original · directed by Joseph Anthony | 1,572 perf. |
| 1968 | Tiger at the Gates Vivian Beaumont Theater · Revival · directed by Anthony Quayle | 44 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once4 names
| William Prince | 2 productions |
| Scott McKay | 2 productions |
| Leo G Carroll | 2 productions |
| Jan Sterling | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.