Theatre Register

Irene Castle

Shows · Irene Castle

Composer 1893–1969 On stage 19131917

Irene Castle (1893–1969) was, with her husband Vernon, half of the most celebrated ballroom-dance team of the 1910s; the pair starred in Irving Berlin's first full Broadway score, Watch Your Step (1914), and popularized social dances like the Castle Walk.

On stage 2 productions, 4 years

1913 The Sunshine Girl Knickerbocker Theatre · Original · directed by J. A. E. Malone 181 perf.
1917 Miss 1917 Century Theatre · Original · directed by Ned Wayburn 72 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on1 work

Watch Your Step

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • Based on short stories by F. Scott Fitzgerald, the production included music by Dana Suesse and choreography by Irene Castle; Betsy von Furstenberg played the title role, and others in the cast were Leslie Nielsen and Orson Bean. Sally Benson later revised the play, and as The Young and Beautiful it opened on Broadway on October 1, 1955,…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • The final films in which Astaire starred with Rogers during the decade were Carefree (1938) and The Story of Vernon and Irene Castle (1939). As always, the two films benefitted from the skilled performances of the two stars, but as Astaire and Rogers grew in fame, it became increasingly difficult to generate a substantial profit. Not only…ebooks/Editors, Charles River/Fred Astaire and Ginger Rogers_ The Story of Hollywood's Most Famous Dancers - Charles River Editors.txt
  • The final musical Rogers appeared in with Astaire during the 1930s was The Story of Vernon and Irene Castle (1939), a film that clearly signals that the end of the famous pairing was imminent. Set at the outbreak of World War I, the film features Rogers as an American dancer who attempts to convince vaudeville comedian Vernon Castle (play…ebooks/Editors, Charles River/Fred Astaire and Ginger Rogers_ The Story of Hollywood's Most Famous Dancers - Charles River Editors.txt
  • With its generic musical score, The Story of Vernon and Irene Castle might seem to be an ill-fitting conclusion to the remarkable run of success that Astaire and Rogers enjoyed. However, Feuer argues that by not appearing as another stereotypical Fred and Ginger film, the movie eased the American public into the post-Astaire-Rogers era, a…ebooks/Editors, Charles River/Fred Astaire and Ginger Rogers_ The Story of Hollywood's Most Famous Dancers - Charles River Editors.txt
  • Cast: Vernon & Irene Castle, Frank Tinney, Charles King, Elizabeth Brice, Elizabeth Murray, Harry Kelly, Justine Johnstoneebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
  • “Look at ’em doing it.” In Watch Your Step, Vernon and Irene Castle do the syncopated walk while others, including the blackface comedian Frank Tinney, look on. Billy Rose Theatre Division, The New York Public Library for the Performing Arts, Astor, Lenox and Tilden Foundations .ebooks/Magee, Jeffrey/Irving Berlin's American Musical Theater (Broadway Legacies) - Jeffrey Magee.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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