Also credited on2 works
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- After winning success in London, composer Ivan Caryll indited the scores for 14 Broadway musicals. His most celebrated production was The Pink Lady , which contained the durable song “My Beautiful Lady” and gave Hazel Dawn a memorable role that allowed her to play the violin. The story, adapted from a French play, Le Satyr , takes place i…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Perhaps musical comedy was simply the earthier form, on the risqué side. Ivan Caryll and C. M. S. McLellan’s The Pink Lady (1911) and Oh! Oh! Delphine (1912) were each billed as a “musical comedy,” and the erotic does rather hover over the action. The Pink Lady tells of a satyr loose in Paris stealing kisses, and Delphine ’s heroine has a…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- McLellan; music: Ivan Caryll. Operetta based on the French farce Le Satyre by Georges Berr and Marcel Guil-theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 3 (I-N).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — composer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.