On stage 4 productions, 20 years
| 1924 | Andre Charlot’s Revue Of 1924 Times Square Theatre · Original · directed by Andre Charlot | 298 perf. |
| 1929 | Wake Up and Dream Selwyn Theatre · Original · directed by Hassard Short | 136 perf. |
| 1937 | Between the Devil Imperial Theatre · Original · directed by Hassard Short | 93 perf. |
| 1944 | Harvey 48th Street Theatre · Original · directed by Antoinette Perry | 1,775 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Wyn Clare | 2 productions |
| Marjorie Brooks | 2 productions |
| Jessie Matthews | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Cast: Beatrice Lillie, Gertrude Lawrence, Jack Buchanan, Douglas Furber, Herbert Mundin, Jessie Matthews, Constance Carpenterebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- London impresario Andre Chariot entered New York’s crowded revue field with a sly, sophisticated, witty, intimate show made up of songs, dances, and sketches from his West End revues. He also introduced New York audiences to three performers — Beatrice Lillie, Gertrude Lawrence, and Jack Buchanan — whose careers would flourish on both sid…ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- The debonair English star Jack Buchanan played the role till he (and Ryskind) walked out during a hysterical “Change everything!” tryout that turned a wobbly show into a terrible one. Alas, the producers, Aarons and Freedley, replaced Buchanan with a nobody, though their show depended on seeing the famously suave Buchanan snarling and thr…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- “Wake Up and Dream” with Jack Buchanan, and Tilly Losch. Fritzi Scheff appeared in a revival of “Mile. Modiste.” “Die Fledermaus” was done under the title of “A Wonderful Night,” and among the players were Archie Leach (Cary Grant), Gladys Baxter and Solly Ward. Glenn Hunter became a song and dance man in “Spring Is Here.” Other musicals…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Andre Chariot with Gertie, Bea Lillie and Jack Buchanan (Pamela Clatworthy) Gertie as the ‘Parisian Pierrot’ (Pamela Clatworthy)theatre-pdfs/Gertrude Lawrence - Sheridan Morley.txt
- Sisters and Jack Buchanan; the other leading female role Chariot had given to his stalwart comedienne from the Vaudeville, Beatrice Lillie. In Septembertheatre-pdfs/Gertrude Lawrence - Sheridan Morley.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — choreographer, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.