Theatre Register

Jack Eddleman

Shows · Jack Eddleman

ActorOn stage 19571964

On stage 6 productions, 7 years

1957 Shinbone Alley Broadway Theatre · Original · directed by Production supervised by Sawyer Falk 49 perf.
1958 Oh Captain! Alvin Theatre · Original · directed by Jose Ferrer 192 perf.
1960 Camelot Majestic Theatre · Original · directed by Moss Hart (Alan Jay Lerner uncredited) 873 perf.
1963 Hot Spot Majestic Theatre · Original 43 perf.
1963 The Girl Who Came to Supper Broadway · Original · directed by Joe Layton 112 perf.
1964 Oh What a Lovely War Broadhurst Theatre · Original · directed by Joan Littlewood 125 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once10 names

Mary Sue Berry 2 productions
Marnell Bruce 2 productions
Jami Landi 2 productions
Jack Rains 2 productions
Jack Dabdoub 2 productions
Howard Kahl 2 productions
George Ritner 2 productions
Frank Bouley 2 productions
Bruce Mackay 2 productions
Alvin Beam 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 9 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any biography.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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