Jack Mason

On stage 1 production

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Countess Maritza
Sinbad

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

• • Full orchestral scores in the hands of the credited orchestrators, Robert Russell Bennett and Philip J Lang, as well as the ghost orchestrator, Jack Mason;ebooks/McHugh, Dominic/Loverly_The Life and Times of My Fair Lady (Broadway Legacies) - Dominic McHugh.txt
• Most of the “Luck” full score is in the hand of Jack Mason. It contains a two-bar introduction, which was crossed out. This brings it into line with the published version, which starts with Doolittle speaking the first three syllables of the first verse while the orchestra joins in at the start of the first full bar. 7 Mason’s score block…ebooks/McHugh, Dominic/Loverly_The Life and Times of My Fair Lady (Broadway Legacies) - Dominic McHugh.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.