Theatre Register

Jerry Adler

Shows · Jerry Adler

Director 1929–2025 On stage 20002015

Jerome Elliott Adler (February 4, 1929 – August 23, 2025) was an American actor, theatrical producer, and director. He was known for his films Manhattan Murder Mystery, The Public Eye, In Her Shoes, and Prime, and for his television work as Herman "Hesh" Rabkin on The Sopranos, Howard Lyman on The Good Wife and The Good Fight, building maintenance man Mr. Wicker on Mad About You, Bob Saget's father Sam Stewart on Raising Dad, Fire Chief Sidney Feinberg on Rescue Me, Moshe Pfefferman on Transparent, Saul Horowitz on Broad City, and Hillston on Living with Yourself with Paul Rudd.

On stage 2 productions, 15 years

2000 Taller Than a Dwarf Longacre Theatre · Original · directed by Alan Arkin 56 perf.
2015 Fish in the Dark Cort Theatre · Original · directed by Anna D. Shapiro 173 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on1 work

Truckload

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • One of the production stage managers for Annie was Jerry Adler. He was a big, fatherly type, very loving, and got along with everybody. To him I was just “the kid.” Jerry had many years of experience, but he was the type who came into a show, stayed for a while, then was always moving on to the next thing. He soon left Annie to take over…ebooks/Berloni, Bill/Broadway Tails_ Heartfelt Stories of Rescued Dogs Who Became Showbiz Superstars - Bill Berloni & Jim Hanrahan.txt
  • Into the director's spot Alexander Cohen elevated the show's production stage manager, Jerry Adler, who in recent years had been his favorite second-in-command (under the director) on any number of shows. But he lacked heavyweight directing experience, and it was said in Shubert Alley that Cohen would handle the directing with Adler's ass…ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
  • Cathy Rice, a comely ash blonde in the chorus line, had a friendship with Jerry Adler that aroused no end of resentment in the chorus, especially when they kissed in rehearsals or when she called him "Baby Cakes." It was widely believed Ms. Rice routinely sat in on production meetings and passed along chorus-room confidences. "She's a lit…ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
  • "We kept Jill's goddamned number in for weeks after it should have been cut," Jerry Adler is saying over drinks at the hotel. "If Jill and Herb Edelman were not in the show, not only would we not be closing, we'd have a better show."ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
  • MCCLURE wewress ROBERT RUSSELL BENNETT © PHIL LANG "wuszz JERRY ADLER .zsisis STONE WIDNEYtheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
  • drubbing of his 1963 Noél Coward musical The Girl Who Came to Supper and dropped Drat/—which was immediately picked up by MFL stage manager Jerry Adler and Norman Rosemont, vice president of Alfred Productions (as in Al Lerner and Fred Loewe). The title roletheatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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