On stage 6 productions, 10 years
| 2012 | Nice Work If You Can Get It Imperial Theatre · Original · directed by Kathleen Marshall | 478 perf. |
| 2012 | The Mystery of Edwin Drood Studio 54 · Revival · directed by Scott Ellis | 136 perf. |
| 2014 | Beautiful: The Carole King Musical Stephen Sondheim Theatre · Original · directed by Marc Bruni | 2,418 perf. |
| 2016 | Waitress Brooks Atkinson Theatre · Original · directed by Diane Paulus | 1,544 perf. |
| 2018 | Carousel Imperial Theatre · Revival · directed by Jack O'Brien | 249 perf. |
| 2022 | The Minutes Studio 54 · Original · directed by Anna D. Shapiro | 108 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Stephanie Martignetti | 2 productions |
| Betsy Wolfe | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on3 works
Beautiful: The Carole King Musical
Carousel (2018 Revival)
Into the Woods (2002 Revival)
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature4 passages
- Thoms in Stick Fly. Opened at the Cort Theatre December 8, 2011 (photo by Richard Termine) Right: David Turner, Jessie Mueller, and Harry Connick Jr. in Ona Clear Day You Can See Forever. Opened at the St. James Theatre December 11, 2017 (photo by Paul Kolnik)theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
- Top: John Cullum presents a 2012 Theatre World Award to Jessie Mueller (photo by Jim Baldassare) Center: The 2012 Theatre World Awards (photo by Michael Heeney) Bottom: 2012 Theatre World Award winner Crystal A. Dickinson and her presenter, Leslie Uggams, meet the press (photo by Xanthe Elbrick)theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
- Nominees: Elizabeth A. Davis, Once, Jayne Houdyshell, Follies; Jessie Mueller, On A Clear Day You Can See Forever, Da’Vine Joy Randolph, Ghost the Musicaltheatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
- Outstanding Featured Actress in a Musical: Judy Kaye, Nice Work If You Can Get It Nominees: Marin Mazzie, Carrie, Jessie Mueller, On a Clear Day You Can See Forever, Elaine Paige, Follies; Sarah Sokolovic, The Shaggs: Philosophy of the World; Melissa van der Schyff, Bonnie & Clyde Outstanding Director of a Play: Mike Nichols, Death ofaSal…theatre-pdfs/Theatre World/Theatre World, 2011-12 Season, v. 68 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.