Joan Diener

On stage 7 productions, 28 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

In the literature8 passages

• Other musicals have used the Iliad and Odyssey for inspiration, including the irreverent 1961 Off-Broadway Sing Muse! , which includes such songs as “Helen, Quit Your Yellin’,” “Out to Launch,” and “The Day at the Sexmockena Mambo” (pronounced “The Deus ex Machina Mambo”); the 1962 La Belle which closed during its pre-Broadway tryout and…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Cast : Tallulah Bankhead , Carol Haney, Joan Diener, David Burns, Mae Barnes, Elliott Reid, Matt Mattox; Ensemble: Adrienne Angel, Bea Arthur, Herb Banke, Lee Becker (Theodore), Hank Brunjes, Don Crichton, Drusilla Davis, Burnell Dietsch, Mary Jane Doerr, Pat Gaston, Timothy Gray, Gwen Harmon, John Harmon, Jay Harnick, Stuart Hodes, Mildr…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• The 1956 edition had the novelty of Tallulah Bankhead at the helm; the featured players included Carol Haney, David Burns, Joan Diener, Elliott Reid, Mae Barnes, and Matt Mattox; and the singing and dancing ensembles included Larry Kert, Bea Arthur, Julie Newmar, Lee Becker, Mort Marshall, Preshy Marker, Sheila Smith, and Timothy Gray. Fu…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: Overture; “Feeding Time” (David Opatoshu, Staff); “End of an Aria from La Saracena ” (Joan Diener); “Blest?” (Joan Diener); “A Table with a View” (Paul Muni); “The Grand Tango” (Guests, Staff); “Isola” (Arthur Rubin); “Sophia” (Neile Adams, Men); “At the Grand” (Cesare Danova, Allegra Varron, Sandra Stahl, Renee Guerin, Robert La…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: Entr’acte; “The Bare Necessities” (Paul Muni, Rico Froehlich, Assistants); “Crescendo” (Joan Diener, Cesare Danova); “Va bene” (George Givot, Arthur Rubin, Neile Adams); “I Waltz Alone” (Paul Muni, Neile Adams, Guests); “Press Conference” (Joan Diener, Truman Gaige, David London, Shevlin Rodgers, Gerald Cardoni, Rico Froehlich, E…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Davis’s adaptation changed the hotel’s location from Berlin to Rome, and Garbo’s ballet dancer became an opera singer (played by Joan Diener, whose program biography stated she had been “persuaded to postpone her operatic debut in Tosca to accept her leading role—that of an opera singer—in At the Grand ”).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.