On stage 1 production
| 1952 | Buttrio Square New Century Theatre · Original · directed by Maurice Levine Cast: David Kurlan (Michelino), Vincent Barbi (Padre), Rina Falcone (Angela), Joan Morton (Maria), Ann Needham (Elizabetta), Lionel Ames (Dominic), Ernest Sarracino (Baron D’Alessandro), Ferdinand Hilt (Rocco), James MacCracken (Vittorio), Orville Sherman (Cassio), Ted Thurston (Pietro), Jane Harven (Emelia), Marie Gibson (Francesca), Billy Gilbert (Pappa Mario), Charlotte Jones (Norina), Henry Hamilton (Carlo), Walter Black (Sergeant McKenzie), Lawrence Brooks (Captain Steve Dickson), James Tarbutton (Private Poole), Leon Daniels (Tabulator), Lois Hunt (Marisa D’Alessandro), Joe Mantell (Private Burns), Al Checco (Corporal Gower), George Reeder (Private Whitfield), Don (Donn) Driver (Private Webster), Susan Johnson (Terry Patterson), Marti Stevens (Joan Wellington) | 7 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on4 works
9 to 5: The Musical
Assassins (2004 Revival)
The Last Ship
Wicked
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.