Also credited on2 works
The Boy Friend
Joyce Grenfell Requests the Pleasure . . .
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature3 passages
- Direction : Vida Hope; Producers : Cy Feuer and Ernest G. Martin; Choreography : John Heawood; Scenery and Costumes : Reginald Woolley (New York Supervising Designers: Robert Mackintosh for Costumes; Feder for Scenery and Lighting); Musical Direction : Anton Coppola (conducting the orchestra of Paul McGrane and His Bearcats)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : Laurier Lister; Producers : Producers Theatre (A Laurier Lister Production) and Lyn Austin and Thomas Noyes; Choreography : Wendy Toye, John Heawood, Alfred Rodriguez, Beryl Kaye, Paddy Stone, Peter Hamilton, and Irving Davies; Scenery : Scenic supervision by Paul Morrison; décor (and costumes) by Joan and David de Bethel, Vic…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : John Fearnley; Producer : Ron Rawson; Choreography : John Heawood; Scenery and Lighting : Peter Dohanos; Costumes : Paul Morrison; Musical Direction : George Bauerebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.