On stage 7 productions, 30 years
| 1907 | Ziegfeld Follies of 1907 Jardin De Paris · Original · directed by Herbert Gresham | 79 perf. |
| 1917 | L'Elevation Playhouse Theatre · Original | 38 perf. |
| 1921 | Alias Jimmy Valentine Gaiety Theatre · Revival · directed by Hugh Ford | 46 perf. |
| 1922 | To the Ladies Liberty Theatre · Original · directed by Howard Lindsay | 128 perf. |
| 1929 | Woof, Woof Royale Theatre · Original · directed by William Caryl | 46 perf. |
| 1934 | Merrily We Roll Along Music Box Theatre · Original | 155 perf. |
| 1937 | King Richard II St James Theatre · Return-Engagement · directed by Margaret Webster | 38 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Otto Kruger | 2 productions |
| J J Hyland | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
Mexican Hayride
Up in Central Park
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature4 passages
- Direction : John Kennedy; Producers : Mark Kroll and Charles Conaway; Choreography : Frank Wagner; Scenery and Costumes : Raoul Pene du Bois; Lighting : Paul Morrison; Musical Direction : Max Methebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Christina had dated John Kennedy Jr., one of the world’s most desired bachelors, for several years, so I could understand Jonathan’s intimidation. “Yeah, that is kind of a big deal,” I said. “Do you want me to say something to her for you?”ebooks/Rapp, Anthony/Without You_ A Memoir of Love, Loss, and the Musical Rent - Anthony Rapp.txt
- LEE GUBER, 67. Philadelphia-born legit producer and co-owner of the Westbury and Valley JOHN KENNEDY, 90, New York City-bom director and producer, died May 13, 1988 intheatre-pdfs/Theatre World/Theatre World, 1987-88 Season, v. 44 (Willis).txt
- Toole, John Kennedy 338 Tooley, lan 315 Toomey, Colin 292 Toomey, Lynette 173 Toons One 135 Toothman, Timothy 348 Top of the Heap 283, 336 Top Secret: The Battle for the Pentagon Papers 233, 425 Topaz, Smoky 289 Topf, Jeff 334 Topiary, Samuael 279theatre-pdfs/Theatre World/Theatre World, 2009-2010 Season, v. 66 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.