On stage 30 productions, 52 years
| 1938 | Captain Jinks of the Horse Marines Maxine Elliotts Theatre · Revival | 4 perf. |
| 1938 | Coriolanus Maxine Elliotts Theatre · Revival | 4 perf. |
| 1938 | No More Peace Maxine Elliotts Theatre · Revival | 4 perf. |
| 1940 | Hold on to Your Hats Shubert Theatre · Original · directed by Edgar J. MacGregor | 158 perf. |
| 1940 | Medicine Show New Yorker Theatre · Original · directed by Jules Dassin | 35 perf. |
| 1947 | Command Decision Fulton Theatre · Original · directed by John O'Shaughnessy | 409 perf. |
| 1950 | Come Back, Little Sheba Booth Theatre · Original · directed by Daniel Mann | 191 perf. |
| 1950 | The Golden State Fulton Theatre · Original | 25 perf. |
| 1951 | Paint Your Wagon Shubert Theatre · Original · directed by Daniel Mann | 289 perf. |
| 1951 | Peer Gynt Anta Playhouse · Revival · directed by Lee Strasberg | 32 perf. |
| 1952 | Seagulls Over Sorrento John Golden Theatre · Original | 12 perf. |
| 1952 | The Grey-Eyed People Martin Beck Theatre · Original · directed by Morton Da Costa | 5 perf. |
| 1953 | Room Service Playhouse Theatre · Revival · directed by Mortimer Offner | 16 perf. |
| 1954 | All Summer Long Coronet Theatre · Original · directed by Alan Schneider | 60 perf. |
| 1954 | House of Flowers Alvin Theatre · Original · directed by Peter Brook | 165 perf. |
| 1955 | Guys and Dolls City Center · Revival · directed by Philip Mathias | 31 perf. |
| 1955 | The Time of Your Life City Center · Revival · directed by Sanford Meisner | 15 perf. |
| 1955 | The Wooden Dish Booth Theatre · Original · directed by Louis Calhern | 12 perf. |
| 1957 | Miss Isobel Royale Theatre · Original · directed by Cedric Hardwicke | 53 perf. |
| 1958 | The Visit Lunt Fontanne Theatre · Original · directed by Peter Brook | 189 perf. |
| 1959 | The Sound of Music Lunt-Fontanne Theatre · Original · directed by Vincent J. Donehue | 1,443 perf. |
| 1959 | Triple Play Playhouse Theatre · Original · directed by Hume Cronyn | 37 perf. |
| 1963 | A Case of Libel Longacre Theatre · Original · directed by Sam Wanamaker | 242 perf. |
| 1963 | Mother Courage and Her Children Martin Beck Theatre · Original | 52 perf. |
| 1964 | Conversation at Midnight Billy Rose Theatre · Original · directed by Robert Gist | 4 perf. |
| 1966 | My Sweet Charlie Longacre Theatre · Original · directed by Howard Da Silva | 31 perf. |
| 1969 | Our Town Anta Playhouse · Revival · directed by Donald Driver | 36 perf. |
| 1980 | The American Clock Biltmore Theatre · Original · directed by Vivian Matalon | 12 perf. |
| 1986 | Broadway Bound Broadhurst Theatre · Original · directed by Gene Saks | 756 perf. |
| 1990 | Prelude to a Kiss Helen Hayes Theatre · Original · directed by Norman René | 440 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Jay Velie | 4 productions |
| Wayland Strong | 3 productions |
| W O Mcwatters | 3 productions |
| Robert Youmans | 3 productions |
| Norma Downey | 3 productions |
| Leonore Sorsby | 3 productions |
| Gene Webber | 3 productions |
| Frank Daly | 3 productions |
| Erford Gage | 3 productions |
| Douglas Campbell | 3 productions |
| Charles Berre | 3 productions |
| Wilson Brooks | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 12 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Act One: “I’m On My Way” (Rufus Smith, Robert Penn, John Randolph, Chun-Tao Cheng, Tom Al, Jared Reed, Richard Aherne, Gordon Dilworth, Miners); “Ramson” (Robert Penn); “What’s Goin’ On Here?” (Olga San Juan); “I Talk to the Trees” (Tony Bavaar, Olga San Juan); “They Call the Wind Maria” (Rufus Smith, Miners; danced by James Mitchell and…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Second Cast (replacements for re-opening): John Dorman (Nicely-Nicely Johnson), Patricia Northrop (Sarah Brown), John Randolph (Nathan Detroit), Wallace Rooney (Lieutenant Brannigan), Judy Johnson (Miss Adelaide), Robert Rippy (Hot Box M.C.), Ralph Vucci (Drunk); Dancers : Ana Baldwin, Ellen Beach, Jeanna Belkin, Sonya Besant, Janet Gaylo…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Mary Martin, Theodore Bikel, Patricia Neway, Kurt Kasznar, Marion Marlowe, Lauri Peters, Brian Davies, John Randolph, Nan McFarland, Joey Heathertonebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- November 30, 1971— April 29, 1972 Producer, Sidney S. Bloom; Artistic Director, William Ross; Artistic Consultant, John Randolph; Scenery and Light-theatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
- GUEST ARTISTS: Howard DaSilva, Ken Howard, Louise Imogene Coca, King Donovan, John McGiver, Ray Walston, Laurence Guittard. Earle Hyman, John Randolph, Ruby Dee, Tammy Grimes, E. G. Marshalltheatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
- John Randolph, Olympia Dukakis, R. A. Dow Right Center: Lou Gilbert, Peggy Whittontheatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.