On stage 8 productions, 17 years
| 1938 | The Two Bouquets Windsor Theatre · Original · directed by Leslie French | 55 perf. |
| 1941 | La Vie Parisienne 44th Street Theatre · Original · directed by Igor Schwezoff | 7 perf. |
| 1946 | Gypsy Lady Century Theatre · Original · directed by Edgar MacGregor | 79 perf. |
| 1948 | Inside U.S.A. New Century Theatre · Original · directed by Robert H. Gordon | 399 perf. |
| 1950 | Arms and the Girl 46th Street Theatre · Revival · directed by Rouben Mamoulian | 134 perf. |
| 1953 | Can-Can Shubert Theatre · Original · directed by Abe Burrows | 892 perf. |
| 1954 | Die Fledermaus City Center · Revival · directed by Robert Pagent | 15 perf. |
| 1955 | All in One Playhouse Theatre · Original · directed by David Brooks Cast: Alice Ghostley (Dinah), John Tyers (Sam) | 47 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once2 names
| Norman Weise | 2 productions |
| Arthur Partington | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature5 passages
- First New York performance: 19 April 1955, Playhouse Theatre, cast incl. Alice Ghostley (Dinah), John Tyers (Sam), Constance Bingham, John Taliafero, James Tushar (Trio), David Brooks (dir.), Joseph D. Lewis and Urey Krasnopolsky (pfs), Max Rich (drums), Leonard Gaskin (bass)ebooks/Bernstein, Leonard/Leonard Bernstein Letters, The - Leonard Bernstein.txt
- Cast : Alice Ghostley (Dinah), John Tyers (Sam); Trio: Kathy Farrell, John Taliaferro, James Tushar; Musicians: Joseph D. Lewis (Piano), Urey Krasnopolsky (Piano), Joe Harris (Drums), Leonard Gaskin (Bass)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- For Broadway, John Tyers introduced “Haunted Heart” in the 1948 revue Inside U.S.A . and created the role of Sam in Leonard Bernstein’s Trouble in Tahiti in 1955. For the revue’s tryout, David Atkinson introduced “Haunted Heart” (and during the Broadway run rejoined the production and sang the number), and in 1952 created the role of Sam…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: Beatrice Lillie, Jack Haley, John Tyers, Herb Shriner, Valerie Bettis, Lewis Nye, Carl Reiner, Thelma Carpenter, Estelle Loring, Eric Victor, Talley Beatty, Jack Cassidyebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- PC: Musetta : Helena Bliss; Boris : Melville Cooper; Andre : Eric Starling; The Great Alvardo : John Tyers; Sandor : George Britton; Fresco : Eddie Kelland Espinosa; Valerie : Jane Farrarebooks/Wright, Adrian/West End Broadway_ The Golden Age of the American Musical in London - Adrian Wright.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — director, actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.