Jonathan Lucas

On stage 5 productions, 13 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once6 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 3 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on2 works

Vintage ’60
First Impressions

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Act Two: “Hello, Good Morning” (Joan Mann, Jonathan Lucas, Ensemble); “Mine” (Jack Carson, Betty Oakes); “Who Cares?” (Jack Carson, Betty Oakes, Male Ensemble); Finaletto: (1) “Garcon, s’il vous plait” (Male Ensemble); (2) “The Illegitimate Daughter” (Florenz Ames, Company); (3) “Because, Because” (reprise) (Leonore Lonergan); (4) “Who Ca…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act One: “Nothing Ever Happens in Angel’s Roost” (Kaye Ballard, Bibi Osterwald, Shannon Bolin, Portia Nelson); “Mother Hare’s Séance” (Martha Larrimore); “My Love Is on the Way” (Priscilla Gillette); “The Heroes Come Home” (Company); “It Was a Good Adventure” (Stephen Douglass, The Heroes); “Come Along, Boys” (The Heroes, Ensemble); “It’s…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Act Two: “My Picture in the Papers” (Kaye Ballard, Jonathan Lucas, Male Ensemble); “The Taking of Rhododendron” (Stephen Douglass, Jack Whiting, Jonathan Lucas); “Hector’s Song” (Jack Whiting); “Windflowers” (Priscilla Gillette); “Store-Bought Suit” (Stephen Douglass); “Calypso” (Shannon Bolin); “Scylla and Charybdis” (Dean Michner, Jack…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Direction : Abe Burrows; Producers : George Gilbert and Edward Specter Productions, Inc.; and The Jule Styne Organization; Choreography : Jonathan Lucas; Scenery : Peter Larkin; Costumes : Alvin Colt; Lighting : Charles Elson; Musical Direction : Frederick Dvonchebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• The Golden Apple. Salesman Jonathan Lucas displays his wares for Kaye Ballard, Priscilla Gillette, and Stephen Douglass. (Vandamm)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• Cast: Priscilla Gillette, Stephen Douglass, Kaye Ballard, Jack Whiting, Bibi Osterwald, Jonathan Lucas, Portia Nelson, Jerry Stiller, Dean Michener, Shannon Bolinebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — director, choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.