On stage 18 productions, 52 years
| 1935 | Stick-in-the-Mud 48th Street Theatre · Original · directed by Thomas Mitchell | 9 perf. |
| 1936 | Brother Rat Biltmore Theatre · Original | 577 perf. |
| 1937 | In Clover Vanderbilt Theatre · Original · directed by Bretaigne Windust | 3 perf. |
| 1938 | How to Get Tough About It Martin Beck Theatre · Original | 23 perf. |
| 1938 | Missouri Legend Empire Theatre · Original | 48 perf. |
| 1939 | Key Largo Ethel Barrymore Theatre · Original · directed by Guthrie McClintic | 105 perf. |
| 1940 | Charley's Aunt Cort Theatre · Revival · directed by Joshua Logan | 233 perf. |
| 1941 | Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor | 547 perf. |
| 1943 | Othello Shubert Theatre · Revival · directed by Margaret Webster | 296 perf. |
| 1945 | Othello City Center · Revival | 24 perf. |
| 1948 | Angel Street City Center · Revival · directed by Richard Barr | 14 perf. |
| 1948 | The Alchemist City Center · Revival · directed by Morton Da Costa | 14 perf. |
| 1948 | The Silver Whistle Biltmore Theatre · Original · directed by Paul Crabtree | 219 perf. |
| 1953 | Richard III City Center · Revival · directed by Margaret Webster | 15 perf. |
| 1963 | The Girl Who Came to Supper Broadway · Original · directed by Joe Layton | 112 perf. |
| 1965 | Man of La Mancha ANTA Washington Square Theatre · Original · directed by Albert Marre | 2,328 perf. |
| 1975 | A Gala Tribute to Joshua Logan Imperial Theatre · Original · directed by Anna Sosenko | 1 perf. |
| 1987 | Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Jos Ferrer | 11 productions |
| Uta Hagen | 4 productions |
| Robinson Stone | 3 productions |
| Philip Huston | 3 productions |
| Nan McFarland | 3 productions |
| Karl Malden | 3 productions |
| Tom Tryon | 2 productions |
| Stanley Carlson | 2 productions |
| Ruth March | 2 productions |
| Ronald Bishop | 2 productions |
| Robert Carroll | 2 productions |
| Richard Clark | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on3 works
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- A television version was aired on October 24, 1967, with Jose Ferrer (Hajj), Anna Maria Alberghetti (Marsinah), Barbara Eden (Lalume), George Chakiris (The Caliph), and Hans Conreid (The Wazir).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : Jose Ferrer; Producers : Howard Merrill and Theatre Corporation of America; Choreography : James Starbuck; Scenery and Lighting : Jo Mielziner; Costumes : Miles White; Musical Direction : Jay Blacktonebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- There were three other recordings of the score: The Ferrers—Rosemary Clooney and Jose Ferrer Sing Selections from the Broadway Musical Comedy “Oh Captain!” (MGM LP # E-3687); Stan Freeman and His Quartet Play “Oh Captain!” (Columbia LP # CL-1126); and Dancing with “Oh Captain!” played by the Bob Prince Quintet (Harmony HL-70970).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : Jose Ferrer; Producers : The Playwrights’ Company, Oliver Smith, and Oliver Rea; Choreography : Agnes de Mille; Scenery : Oliver Smith; Costumes : Irene Sharaff; Lighting : Peggy Clark; Musical Direction : Robert Emmett Dolanebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- During the tryout, director Vincent J. Donehue was replaced by Jose Ferrer, and the following songs were dropped: “His Own Peculiar Charm,” “From This Out,” “Ireland’s Eye,” “Farewell, Me Butty,” and “Kevin Barry.”ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- During that time they had me stage-manage Paul Robeson’s Othello, with Uta Hagen and Jose Ferrer. Then I was switched to Oklahoma! because they knew I came from Texas and was so passionate about the show. I wasn’t the whole cheese. I was just a young woman, and then they would never let a young woman run an entire show.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.