Theatre Register

Jose Ferrer

Shows · Jose Ferrer

DirectorBook Writer 1912–1992 On stage 19351987

José Vicente Ferrer de Otero y Cintrón (January 8, 1912 – January 26, 1992) was a Puerto Rican actor and director of stage, film and television. He was one of the most celebrated and esteemed Hispanic American actors during his lifetime and after, with a career spanning nearly 60 years between 1935 and 1992. He achieved prominence for his portrayal of Cyrano de Bergerac in the play of the same name, which earned him the inaugural Tony Award for Best Actor in a Play in 1947. He reprised the role in a 1950 film version and won an Academy Award for Best Actor, making him both the first Hispanic and the first Puerto Rican–born actor to win an Academy Award. His other notable film roles include C…

On stage 18 productions, 52 years

1935 Stick-in-the-Mud 48th Street Theatre · Original · directed by Thomas Mitchell 9 perf.
1936 Brother Rat Biltmore Theatre · Original 577 perf.
1937 In Clover Vanderbilt Theatre · Original · directed by Bretaigne Windust 3 perf.
1938 How to Get Tough About It Martin Beck Theatre · Original 23 perf.
1938 Missouri Legend Empire Theatre · Original 48 perf.
1939 Key Largo Ethel Barrymore Theatre · Original · directed by Guthrie McClintic 105 perf.
1940 Charley's Aunt Cort Theatre · Revival · directed by Joshua Logan 233 perf.
1941 Let’s Face It Imperial Theatre · Original · directed by Edgar MacGregor 547 perf.
1943 Othello Shubert Theatre · Revival · directed by Margaret Webster 296 perf.
1945 Othello City Center · Revival 24 perf.
1948 Angel Street City Center · Revival · directed by Richard Barr 14 perf.
1948 The Alchemist City Center · Revival · directed by Morton Da Costa 14 perf.
1948 The Silver Whistle Biltmore Theatre · Original · directed by Paul Crabtree 219 perf.
1953 Richard III City Center · Revival · directed by Margaret Webster 15 perf.
1963 The Girl Who Came to Supper Broadway · Original · directed by Joe Layton 112 perf.
1965 Man of La Mancha ANTA Washington Square Theatre · Original · directed by Albert Marre 2,328 perf.
1975 A Gala Tribute to Joshua Logan Imperial Theatre · Original · directed by Anna Sosenko 1 perf.
1987 Happy Birthday, Mr. Abbott! Palace Theatre · Original · directed by Fritz Holt 1 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once12 names

Jos Ferrer 11 productions
Uta Hagen 4 productions
Robinson Stone 3 productions
Philip Huston 3 productions
Nan McFarland 3 productions
Karl Malden 3 productions
Tom Tryon 2 productions
Stanley Carlson 2 productions
Ruth March 2 productions
Ronald Bishop 2 productions
Robert Carroll 2 productions
Richard Clark 2 productions

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 8 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on3 works

Carmelina
Juno
Oh Captain!

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

  • A television version was aired on October 24, 1967, with Jose Ferrer (Hajj), Anna Maria Alberghetti (Marsinah), Barbara Eden (Lalume), George Chakiris (The Caliph), and Hans Conreid (The Wazir).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Direction : Jose Ferrer; Producers : Howard Merrill and Theatre Corporation of America; Choreography : James Starbuck; Scenery and Lighting : Jo Mielziner; Costumes : Miles White; Musical Direction : Jay Blacktonebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • There were three other recordings of the score: The Ferrers—Rosemary Clooney and Jose Ferrer Sing Selections from the Broadway Musical Comedy “Oh Captain!” (MGM LP # E-3687); Stan Freeman and His Quartet Play “Oh Captain!” (Columbia LP # CL-1126); and Dancing with “Oh Captain!” played by the Bob Prince Quintet (Harmony HL-70970).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • Direction : Jose Ferrer; Producers : The Playwrights’ Company, Oliver Smith, and Oliver Rea; Choreography : Agnes de Mille; Scenery : Oliver Smith; Costumes : Irene Sharaff; Lighting : Peggy Clark; Musical Direction : Robert Emmett Dolanebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • During the tryout, director Vincent J. Donehue was replaced by Jose Ferrer, and the following songs were dropped: “His Own Peculiar Charm,” “From This Out,” “Ireland’s Eye,” “Farewell, Me Butty,” and “Kevin Barry.”ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
  • During that time they had me stage-manage Paul Robeson’s Othello, with Uta Hagen and Jose Ferrer. Then I was switched to Oklahoma! because they knew I came from Texas and was so passionate about the show. I wasn’t the whole cheese. I was just a young woman, and then they would never let a young woman run an entire show.ebooks/Frommer, Myrna Katz & Frommer, Harvey/It Happened on Broadway_ An Oral History of the Great White Way - Myrna Katz Frommer & Harvey Frommer.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Which of the credits above the roles on this record — director, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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