On stage 9 productions, 17 years
| 1937 | Professor Mamlock Experimental Theatre · Original · directed by Harold Bolton | 76 perf. |
| 1938 | On the Rocks Dalys 63rd Street Theatre · Original · directed by Robert Ross | 66 perf. |
| 1941 | Lady in the Dark Alvin Theatre · Original · directed by Hassard Short, Moss Hart | 467 perf. |
| 1941 | Liberty Jones Shubert Theatre · Original · directed by John Houseman | 22 perf. |
| 1948 | Skipper Next to God Maxine Elliotts Theatre · Original · directed by Lee Strasberg | 93 perf. |
| 1951 | Peer Gynt Anta Playhouse · Revival · directed by Lee Strasberg | 32 perf. |
| 1952 | Flight Into Egypt Music Box Theatre · Original · directed by Elia Kazan | 46 perf. |
| 1953 | Camino Real National Theatre · Original · directed by Elia Kazan | 60 perf. |
| 1954 | Anastasia Lyceum Theatre · Original · directed by Alan Schneider | 272 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once10 names
| Vivian Nathan | 2 productions |
| Parker Wilson | 2 productions |
| Nehemiah Persoff | 2 productions |
| Lucille Patton | 2 productions |
| John Garfield | 2 productions |
| Jo van Fleet | 2 productions |
| Hurd Hatfield | 2 productions |
| Harry Irvine | 2 productions |
| David J Stewart | 2 productions |
| Allan Frank | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 10 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on2 works
110 in the Shade
The Most Happy Fella
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Direction : Joseph Anthony; Producers : Kermit Bloomgarden and Lynn Loesser; Choreography : Dania Krupska; Scenery and Lighting : Jo Mielziner; Costumes : Motley; Musical Direction : Hebert Greeneebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Direction : Joseph Anthony; Producers : Paul Gregory and S. S. Krellberg; Choreography : Matt Mattox; Scenery and Lighting : Donald Oenslager; Costumes : Jean Louis; Musical Direction : Sherman Frankebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast: B.D. Wong, Evan D’Angeles, Joseph Anthony Foronda, Yoko Fumoto, Alvin Y. F. Ing, Francis Jue, Darren Lee, Hoon Lee, Michael K. Lee, Ming Lee, Telly Leung, Paolo Montalban, Alan Muraoka, Mayumi Omagari, Daniel Jay Park, Hazel Anne Raymundo, Sab Shimono, Yuka Takara, Scott Watanabeebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Original director Joseph Anthony opined after his firing that audiences were attending for three things—Rogers’s wardrobe, Moorehead as a cosmetics tycoon, and the impressive sets—and in spite of one thing: Ginger Rogers. The once-superstar was given two dance numbers for old times’ sake, but didn’t carry her songs very well. She realized…ebooks/Hadleigh, Boze/Broadway Babylon - Boze Hadleigh.txt
- Joseph Anthony, who had directed both the Broadway production of The Rainmaker and the film, directed the musical. Agnes DeMille did the choreography. Even Jerome Robbins acknowledged DeMille as the great pioneer in the use of dance to further plot and character in the Broadway musical. Her legendary status and her own authoritarian demea…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
- When he read the interview Burrows felt he had to withdraw. With him departed much of the cast's spirit and hope. He was replaced by Joseph Anthony, who, three years earlier, had directed 110 in the Shade and had vowed he would never work for Merrick again. When Merrick asked him to direct Breakfast at Tiffany's, Anthony asked, "How will…ebooks/Kissel, Howard/David Merrick - The Abominable Showman_ The Unauthorized Biography (Applause Books) - Howard Kissel.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.