On stage 9 productions, 42 years
| 1937 | To Quito and Back Guild Theatre · Original · directed by Philip Moeller | 46 perf. |
| 1940 | Morning Star Longacre Theatre · Original · directed by Charles K. Freeman | 63 perf. |
| 1940 | My Sister Eileen Biltmore Theatre · Original · directed by George S. Kaufman | 864 perf. |
| 1941 | Spring Again Henry Millers Theatre · Original | 241 perf. |
| 1943 | Oklahoma! St. James Theatre · Original · directed by Rouben Mamoulian | 2,212 perf. |
| 1947 | The Whole World Over Biltmore Theatre · Original · directed by Harold Clurman | 100 perf. |
| 1959 | Moonbirds Cort Theatre · Original | 3 perf. |
| 1960 | The Wall Billy Rose Theatre · Original · directed by Morton Da Costa | 167 perf. |
| 1979 | The Price Playhouse Theatre · Revival · directed by John Stix | 144 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once3 names
| Michael Strong | 2 productions |
| Kenneth Leroy | 2 productions |
| Herbert Berghof | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Cast: Betty Garde, Alfred Drake, Joan Roberts, Joseph Buloff, Celeste Holm, Howard Da Silva, Lee Dixon, Joan McCracken, Bambi Linn, George S. Irving, George Church, Ralph Riggs, Marc Platt, Katharine Sergavaebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- leste Holm, Joseph Buloff and Howard da Silva. The Drama Critics’ Circle Award went to Sidney Kingsley’s “The Patriots” which was acted by Raymond Edward Johnson, Cecil Humphreys, House Jameson and Madge Evans. There was no Pulitzer Prize awarded during the year. John Van Druten’s “The Voice of the Turtle” was the most important comedy of…theatre-pdfs/A Pictorial History of the American Theatre, 1860-1985 (Blum).txt
- Oklahoma! with Alfred Drake and Joan Roberts (in surrey), Lee Dixon and Celeste Holm (left of Drake), and Joseph Buloff (kneeling). New York, St. James Theatre, 1943. [Photograph by Vandamm. Theatre Collection, The New York Public Library at Lincoln Center]theatre-pdfs/McGraw-Hill Encyclopedia of World Drama, v. 3 (I-N).txt
- YOSHKE MUSIKANT Based on Ossip Dimow; Director. Joseph Buloff; Music. Z. Mlotek; Scenery and Lighting. Harry Baum; Costumes, H. Kulyk; Assistant Director.theatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
- HARD TO BE A JEW By Sholom Aleichem; Adapted by Joseph Buloff, David Licht; Music, Sholom Secunda; Directed by David Licht; Lyrics, Yitzchok Pearl Perlov; Musical Director, Renee Solomon; Choreography, Lang; Sets and Costumes, Jeffrey B. Moss; Lighting, Tom Meleck; Assistant to Choreographer, Ellen Titilertheatre-pdfs/Theatre World/Theatre World, 1973 74 Season, v. 30 (Willis).txt
- Esther RranZ otyes-io: cc.csccteyaciaer eterno Scotty Bloch Gregory Solomon ci.<1:i)snieroeiy avarice eatin Joseph Buloff Walter: Franz:s.).Sisicisi< « anette oleae ae ater Fritz Weaver A drama in two acts. The action takes place in 1958 on the attic floor of a Manhattan Brownstone. General Manager: Albert Poland Press: Bruce Cohen Stage…theatre-pdfs/Theatre World/Theatre World, 1978-79, v. 35 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.