Joseph Hardy

On stage 6 productions, 22 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once1 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 1 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on3 works

Gigi
Jimmy
You’re a Good Man, Charlie Brown

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• 48 Joseph Hardy (1929–) is the Tony Award–winning director of You’re a Good Man, Charlie Brown (1967) and the 1974 film version of Great Expectations .ebooks/Unknown/Alan Jay Lerner_ A Lyricist's Letters - Unknown.txt
• YOU'RE A GOOD MAN, CHARLIE BROWN Book, John Gordon; Based on comic strip "Peanuts" by Charles M. Schulz; Music and Lyncs, Clark Gesner; Director, Joseph Hardy; Sets and Costumes, Alan Kimmel; Lighting, Jules Fisher; Musical Staging, Patricia Birch; Musical Supervision, Arrangements, and Additional Material, Joseph Raposo; Associate Produc…theatre-pdfs/Theatre World/Theatre World, 1971-72 Season, v. 28 (Willis).txt
• AFTER MAGRITTE By Tom Stoppard; Director, Joseph Hardy; Scenery, WilHam Ritman; Lighting, Richard Nelson; Costumes, Joseph G. Aulisi; Hairstyhst, Joe Tubens; Choreography, Patricia Birch; Tecnnical Assistant, Archie Gresham; Production Assistant, Jonathan Sandtheatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
• THE CRUCIBLE by Arthur Miller; Director, Joseph Hardy; Settings and Lighting, H. R. Poindexter; Costumes, Noel Taylor; with Charlton Heston, Inga Swenson, James Olson, Beah Richards, Donald Moffat, Gale Sondergaard, Ford Rainey, Robert Comthwaite, Sandra Morgan, Norma Connolly, Linda Kelsey, Philip Kenneally, Brendan Dillon, John Ragin, F…theatre-pdfs/Theatre World/Theatre World, 1972-73 Season, v. 29 (Willis).txt
• GIGI Book and Lyrics, Alan Jay Lerner; Based on novel by Colette; Music, Frederick Loewe; Director, Joseph Hardy; Producers, Edwin Lester, Saint-Subber; Scenic Production, Oliver Smith; Costumes, Oliver Messel; Lighting, Thomas Skelton; Orchestrations, Irwin Kostal; Dance Arrangements, Trude Rittman; Musical Associate, Harper MacKay; Asso…theatre-pdfs/Theatre World/Theatre World, 1973 74 Season, v. 30 (Willis).txt
• THE TIME OF THE CUCKOO by Arthur Laurents; Director, Joseph Hardy; Setting, Harry Horner; Costumes, Joel Schumacher; Lighting, H. R. Poindexter. CAST: Jean Stapleton, Cesare Danova, Tamara Toumanova, Patty McCormack, Ernest Thompson, Charlotte Rae, Jack Manning, Patrizia Pierangeli, Guillermo San Juan, Peter Hirst, Christopher Capen, Darl…theatre-pdfs/Theatre World/Theatre World, 1973 74 Season, v. 30 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — director — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.