Joseph McCarthy

On stage 1 production

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Irene
Bullets Over Broadway

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature8 passages

• Lyrics : Richard Adler, John Murray Anderson, Harry Belafonte, Michael Grace, Sheldon Harnick, Bart Howard, Joseph McCarthy Jr., Alan Melville, Jerry Ross, John Rox, and Carl Tuckerebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Lyrics : Irving Berlin, Ralph Blane, Larry Holofcener, Arnold B. Horwitt, Floyd Huddleston, Mark Lawrence, Hugh Martin, Joseph McCarthy Jr., Fred Patrick, Claude Reese, Sidney Shaw, and Chuck Sweeneyebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
• Tierney, Harry, Joseph McCarthy, Charles Gaynor, and Otis Clements. Irene. Broadway cast recording with Debbie Reynolds, Monte Markham, George S. Irving, Ruth Warrick, and Patsy Kelly. Cond. Jack Lee. Jacket notes Ken Mandelbaum. Sony Broadway compact disc, SK 32266: 10. 1973, 1992.ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
• Songs: “My Baby’s Arms” (Harry Tierney-Joseph McCarthy); “Tulip Time” (David Stamper-Gene Buck); “Mandy”; “A Pretty Girl Is Like a Melody”; “You’d Be Surprised”; “You Cannot Make Your Shimmy Shake on Tea” Berlin-Rennold Wolf)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
• Then, too, Irene ’s score, by Harry Tierney and Joseph McCarthy, was even better integrated than most Princess scores. Tierney was no Kern, true. Still, his and McCarthy’s intentions toward the plot were honorable, from the gleefully scampering “We’re Getting Away With It” to the gently ragging “The Last Part of Every Party.” And the hit…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
• The score by Harry Tierney and Joseph McCarthy wasn't much to cheer about, though Cantor had fun with the interpolated hit "Dinah." Instead, the main fun in Kid Boots was its comedy set pieces. Cantor gives a nonsensical golf lesson early the show, and in one scene he undergoes a near-murderous massage in the club spa.ebooks/Viagas, Robert/I'm the Greatest Star_ Broadway's Top Musical Legends from 1900 to Today - Robert Viagas.txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.