On stage 5 productions, 20 years
| 2003 | Chess New Amsterdam Theatre · Revival · directed by Peter Flynn | 1 perf. |
| 2016 | Natasha, Pierre & The Great Comet of 1812 Imperial Theatre · Original · directed by Rachel Chavkin | 336 perf. |
| 2019 | Freestyle Love Supreme Booth Theatre · Original · directed by Thomas Kail | 188 perf. |
| 2021 | Freestyle Love Supreme Booth Theatre · Return-Engagement · directed by Cody Renard Richard | 84 perf. |
| 2023 | Sweeney Todd: The Demon Barber of Fleet Street Lunt-Fontanne Theatre · Revival · directed by Thomas Kail | 464 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once7 names
| Wayne Brady | 2 productions |
| Utkarsh Ambudkar | 2 productions |
| Sutton Foster | 2 productions |
| Jordan Fisher | 2 productions |
| James Monroe Iglehart | 2 productions |
| Daveed Diggs | 2 productions |
| Ashley Perez Flanagan | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 2 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
Also credited on1 work
Natasha, Pierre & The Great Comet of 1812
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- To get back to London and to work with Josh Groban. I just knew it would be a real honor to be onstage with him and to reunite with Adam Pascal after all these years. Usually things are about the creative people involved before the material. Because the material, especially if it’s new, gets worked on and massaged and changed. It’s the ta…ebooks/Shapiro, Eddie/Nothing Like a Dame_ Conversations with the Great Women of Musical Theater - Eddie Shapiro.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.