Theatre Register

Josh Prince

Shows · Josh Prince

ChoreographerOn stage 1999

Josh Prince is an American choreographer whose Broadway credits include Shrek The Musical and Beautiful: The Carole King Musical.

On stage 1 production

1999 Saturday Night Fever Minskoff Theatre · Original · directed by Tony Edge 501 perf.

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Also credited on2 works

Shrek the Musical
Beautiful: The Carole King Musical

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature2 passages

  • Jones (Lucky), Courtney Young (Miss Keppelwhite), Christine Pedi (Momma/Mrs. Eggleston) SWINGS: Joey Pizzi, Josh Prince, Court-theatre-pdfs/Theatre World/Theatre World, 1998-99 Season, v. 55 (Willis).txt
  • Tamlyn Brooke Shusterman LB)TICES ere esesaresoes Brad Aspel, Vince Pesce, Josh Prince, Noah Racey DSIOGCLS ccrseecz-eatars Leslie Castay, Colleen Fitzpatrick, Blake Hammond, Dale Hensley, John Herrera, Ann Kittredge, Michael X. Martin, Brad Oscar, Patricia Ben Peterson, Gerry Vichitheatre-pdfs/Theatre World/Theatre World, 1998-99 Season, v. 55 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

  • What this person played. No cast list we hold records a character against a performer.
  • Birth or death year. Neither is on the record.
  • Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
  • Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.

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