On stage 1 production
| 1997 | The Life Ethel Barrymore Theatre · Original · directed by Michael Blakemore | 466 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on2 works
Charlie and the Chocolate Factory
Smash
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature1 passages
- (Bernardo), Al DeCristo, Bernie Passeltiner, Jonathan Miller, Brent Sexton, Diana Laurenson, Charlie Brumbly, Lucio Fernandez, Lee Cherry, Joshua Bergasse, Robert Wersinger, Joseph H. Moscato, Bob Richard, Kimberely Kimble, Dore Manasevit, Michael Martino, Jason Dougherty, Bryan Crawford, Shane Jacobsen, Bryon Easley, Gary D. Ferguson, Na…theatre-pdfs/Theatre World/Theatre World, 1995-96 Season, v.52 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.