Also credited on2 works
Joyce Grenfell: Monologues and Songs “Her All New Program”
Joyce Grenfell Requests the Pleasure . . .
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- Book (Sketches ) and Lyrics : Joyce Grenfell (additional lyrics by Oliver Bernard)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “Welcome” (sketch by Joyce Grenfell) (Joyce Grenfell); “Three’s Company” (music by George Bauer) (Beryl Kaye, Paddy Stone, Irving Davies); “The Music’s Message” (lyric by Joyce Grenfell, music by Richard Addinsell) (Joyce Grenfell);”Edinburgh Rock” (music by Richard Addinsell) (Beryl Kaye, Paddy Stone, Irving Davies); “Women at W…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Slap Happy” (sequence includes “Begin the Beguine,” lyric and music by Cole Porter; from 1935 musical Jubilee ) (Beryl Kaye, Paddy Stone, Irving Davies); “Two Young People and a Visitor”: (1) “Visitor”; (2) “Shirley’s Girlfriend” and (3) “Musician” (sketch by Joyce Grenfell) (Joyce Grenfell); “Mañana” (music by William Blezard)…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Joyce Grenfell was both a performer and writer known for her satiric portraits of the foibles of both the cluelessly pretentious and the just plain clueless. She was in some ways a British version of Jean Kerr, whose plays and collections of humor expertly dissected the banalities of everyday life. Grenfell appeared in London revues as th…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The London production of Joyce Grenfell Requests the Pleasure . . . opened at the Fortune Theatre on June 2, 1954, for 275 performances, and was recorded by Philips (LP # BBL-7004) and later issued by DRG (# SL-5186).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Brooks Atkinson in the New York Times said you had to be “properly tuned in” to appreciate Joyce Grenfell, and he wasn’t tuned in. But he admitted her way with even the simplest statement (“Doreen played for me on the accordion”) was able to reduce the audience into “hysterics.” He said she had “excellent party manners” and a “gift for mi…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — lyricist, book writer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.