On stage 13 productions, 31 years
| 1927 | Show Boat Ziegfeld Theatre · Original · directed by Zeke Colvan | 572 perf. |
| 1930 | The Green Pastures Mansfield Theatre · Original | 640 perf. |
| 1935 | Sailor, Beware! Lafayette Theatre · Revival · directed by Shepard Traube | 16 perf. |
| 1942 | The Pirate Martin Beck Theatre · Original · directed by Alfred Lunt | 177 perf. |
| 1944 | Sing Out, Sweet Land International Theatre · Original · directed by Leon Leonidoff | 102 perf. |
| 1945 | The Secret Room Royale Theatre · Original · directed by Moss Hart | 21 perf. |
| 1946 | Mr. Peebles and Mr. Hooker Music Box Theatre · Original · directed by Martin Ritt | 4 perf. |
| 1946 | St. Louis Woman Martin Beck Theatre · Original · directed by Rouben Mamoulian | 113 perf. |
| 1947 | Street Scene Adelphi Theatre · Revival · directed by Charles Friedman | 148 perf. |
| 1949 | South Pacific Majestic Theatre · Revival · directed by Joshua Logan | 1,925 perf. |
| 1954 | House of Flowers Alvin Theatre · Original · directed by Peter Brook | 165 perf. |
| 1956 | The Ponder Heart Music Box Theatre · Original · directed by Robert Douglas | 149 perf. |
| 1958 | Flower Drum Song St. James Theatre · Original · directed by Gene Kelly | 600 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once9 names
| Albert Popwell | 3 productions |
| Rhoda Boggs | 2 productions |
| Reginald Fenderson | 2 productions |
| Pearl Bailey | 2 productions |
| Miriam Burton | 2 productions |
| Milton J Williams | 2 productions |
| Ken Renard | 2 productions |
| Creighton Thompson | 2 productions |
| Carrington Lewis | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 6 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
In the literature8 passages
- Act One: “Waitin’” (Enid Moser, Dolores Harper, Ada Moore); “One Man Ain’t Quite Enough” (Pearl Bailey); “Madame Tango’s Tango” (Juanita Hall, Tango Belles); “A Sleepin’ Bee” (Diahann Carroll, Enid Moser, Dolores Harper, Ada Moore); “Bamboo Cage” (“Smellin’ of Vanilla”) (Geoffrey Holder, Michel Alexander, Roderick Clavery, Alphonso Marsha…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Soft Shoe Dance” (Nurses, Seabees); “Happy Talk” (Juanita Hall, Imelda De Martin, Allen Case); “Honey Bun” (Mindy Carson, Harvey Lembeck); “You’ve Got to Be Taught” (Allen Case); “This Nearly Was Mine” (Robert Wright); “Some Enchanted Evening” (reprise); Finaleebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- The 1957 revival was notable for the return of Juanita Hall as Bloody Mary, the role she had memorably created for the original 1949 Broadway production; in 1958 she reprised the character for the film version (but her singing voice was dubbed by Muriel Smith, who had played Bloody Mary in the original 1951 London production).ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Cast : Juanita Hall (Madam Liang), Rose Quong (Liu Ma), Patrick Adiarte (Wang San), Ed Kenney (Wang Ta), Keye Luke (Wang Chi Yang), Larry Blyden (Sammy Fong), Conrad Yama (Dr. Li), Mei Li (Miyoshi Umeki), Pat Suzuki (Linda Low), Harry Shaw Lowe (Mr. Lung), Jon Lee (Mr. Huan), Arabella Hong (Helen Chao), Peter Chan (Professor Cheng), Jack…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act One: “You Are Beautiful” (Ed Kenney, Juanita Hall); “A Hundred Million Miracles” (Miyoshi Umeki, Conrad Yama, Keye Luke, Juanita Hall, Rose Quong); “I Enjoy Being a Girl” (Pat Suzuki, Dancers); “I Am Going to Like It Here” (Miyoshi Umeki); “Like a God” (Ed Kenney); “Chop Suey” (Juanita Hall, Patrick Adiarte, Ensemble); “You Be the Roc…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Two: “Ballet” (Ed, Kenney, Yuriko, Jo Anne Miya, Dancers); “Love, Look Away” (reprise) (Arabella Hong); “The Other Generation” (Juanita Hall, Keye Luke); “Sunday” (Pat Suzuki, Larry Blyden); “The Other Generation” (reprise) (Patrick Adiarte, Linda Ribuca, Yvonne Ribuca, Susan Lynn Kikuchi, Luis Robert Hernandez); “Wedding Parade” (Miy…ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.