On stage 1 production
| 2012 | Barack on Broadway New Amsterdam Theatre · Original · directed by George C. Wolfe | 1 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Also credited on1 work
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature2 passages
- Morgan James, our “Turn Back O Man”, was jumping on the trampolines we used for “We Beseech Thee”, when she sprained her ankle. One of our swings, Julia Mattison, went on for Morgan’s role through previews and until a few weeks after opening night. (On opening night, Julia sat in Zach Braff’s lap during her number and ad-libbed, “I’d like…ebooks/Tepper, Jennifer/Untold Stories of Broadway, Volume 2 PART 1, The - Jennifer Tepper.txt
- Dillan Arrick, Adde Bigelow, Hannah Finnie, Lucia Grahamjones, Sarah Grandin, Emily Iscoff-Daigian, Scout Katovich, Julia Mattison, Rachel Rubenstein, Charlotte Ubbentheatre-pdfs/Theatre World/Theatre World, 2003-04 Season, v. 60 (Willis).txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
- Which of the credits above the roles on this record — composer, lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.