On stage 33 productions, 52 years
| 1945 | It's a Gift Playhouse Theatre · Original · directed by Robert Henderson | 47 perf. |
| 1946 | King Henry IV, Part II New Century Theatre · Revival · directed by John Burrell | 9 perf. |
| 1946 | Oedipus Rex New Century Theatre · Revival · directed by Michel Saint-Denis | 15 perf. |
| 1946 | The Playboy of the Western World Booth Theatre · Revival · directed by Guthrie McClintic | 81 perf. |
| 1947 | Alice in Wonderland International Theatre · Revival · directed by Ruth Wilton | 100 perf. |
| 1948 | Macbeth National Theatre · Revival · directed by Norris Houghton | 29 perf. |
| 1948 | Sundown Beach Belasco Theatre · Original · directed by Elia Kazan | 7 perf. |
| 1948 | The Young and Fair Fulton Theatre · Original · directed by Harold Clurman | 64 perf. |
| 1949 | Magnolia Alley Mansfield Theatre · Original · directed by Carl Shain | 8 perf. |
| 1949 | Montserrat Fulton Theatre · Original | 65 perf. |
| 1950 | The Member of the Wedding Empire Theatre · Original · directed by Harold Clurman | 501 perf. |
| 1951 | I Am a Camera Empire Theatre · Original | 214 perf. |
| 1954 | Mademoiselle Colombe Longacre Theatre · Original · directed by Harold Clurman | 61 perf. |
| 1955 | The Lark Longacre Theatre · Original · directed by Joseph Anthony | 229 perf. |
| 1957 | The Country Wife Adelphi Theatre · Revival · directed by George Devine | 45 perf. |
| 1959 | The Warm Peninsula Helen Hayes Theatre · Original · directed by Warren Enters | 86 perf. |
| 1960 | Little Moon of Alban Longacre Theatre · Original · directed by Herman Shumlin | 20 perf. |
| 1961 | A Shot in the Dark Booth Theatre · Original · directed by Harold Clurman | 389 perf. |
| 1963 | Marathon '33 Anta Playhouse · Original · directed by Tim Everett | 48 perf. |
| 1964 | Ready When You Are, C.B.! Brooks Atkinson Theatre · Original · directed by Joshua Logan | 80 perf. |
| 1965 | Skyscraper Lunt-Fontanne · Original · directed by Cy Feuer | 248 perf. |
| 1968 | Forty Carats Morosco Theatre · Original · directed by Abe Burrows | 780 perf. |
| 1971 | And Miss Reardon Drinks a Little Morosco Theatre · Original · directed by Melvin Bernhardt | 108 perf. |
| 1972 | The Last of Mrs. Lincoln Anta Playhouse · Original · directed by George Schaefer | 63 perf. |
| 1972 | Voices Ethel Barrymore Theatre · Revival · directed by Gilbert Cates | 8 perf. |
| 1973 | The au Pair Man Vivian Beaumont Theater · Original · directed by Gerald Freedman | 37 perf. |
| 1974 | In Praise of Love Morosco Theatre · Original · directed by Fred Coe | 200 perf. |
| 1976 | The Belle of Amherst Longacre Theatre · Original · directed by Charles Nelson Reilly | 116 perf. |
| 1979 | Break a Leg Palace Theatre · Original · directed by Charles Nelson Reilly | 1 perf. |
| 1980 | Mixed Couples Brooks Atkinson Theatre · Original · directed by George Schaefer | 9 perf. |
| 1991 | Lucifer's Child Music Box Theatre · Original · directed by Tony Abatemarco | 28 perf. |
| 1994 | The Glass Menagerie Criterion Center Stage Right · Revival · directed by Frank Galati | 57 perf. |
| 1997 | The Gin Game Lyceum Theatre · Revival · directed by Charles Nelson Reilly | 145 perf. |
Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.
Worked with more than once12 names
| Will Davis | 3 productions |
| Nehemiah Persoff | 3 productions |
| William Windom | 2 productions |
| William Squire | 2 productions |
| William Monk | 2 productions |
| William Hansen | 2 productions |
| Tom Avera | 2 productions |
| Stefan Gierasch | 2 productions |
| Sidney Tafler | 2 productions |
| Sandy Roe | 2 productions |
| Rudolph Cavell | 2 productions |
| Robin Lloyd | 2 productions |
Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 11 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Birth or death year. Neither is on the record.
- Any biography.
- Which of the credits above the roles on this record — actor — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.