Also credited on2 works
These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.
In the literature8 passages
- 17 . Vicki Ohl, Fine and Dandy: The Life and Work of Kay Swift (New Haven: Yale University Press, 2004), 180.ebooks/Block, Geoffrey/Enchanted Evenings_The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber - Geoffrey Block.txt
- Act Two: The Left Bank: “Moonlight on the Notre Dame”; “The Laundress”; Song: “Turn My Little Millwheel” (aka “Tourne mon moulin”) (lyric by Kay Swift, music by Paul Delmet); “From a Window on the Seine”; “The Enchantress”; Song: “Lend Me a Bob Till Monday”; “Lament”; March: “With My Sabots” (traditional song)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Act Three: Montmartre: “La Goulue”; “Can-Can”; Song: “Calliope”; “Calliope” (instrumental reprise); “The Waltz I Heard in a Dream”; “Fughette”; “The House Where I Was Born”; “Yvette”; Song: “Saint Lazare” (lyric by Kay Swift, music by Aristide Bruant); Song: “Madame Arthur” (English lyric by Kay Swift, music by Yvette Guilbert)ebooks/Dietz, Dan/Complete Book of 1950s Broadway Musicals, The - Dan Dietz.txt
- Songs: “I’ve Made a Habit of You”; “Can’t We Be Friends?” (Kay Swift-Paul James); “Hammacher-Schlemmer, I Love You”; “A Little Hut in Hoboken” (Herman Hupfeld); “I Guess I’ll Have to Change My Plan”; “Moanin’ Low” (music: Ralph Rainger)ebooks/Green, Stanley/Broadway Musicals, Show By Show - Seventh Edition - Stanley Green & Cary Ginell.txt
- Another of PS Classics’ excellent restorations, Kay Swift’s Fine and Dandy (1930), gives us the star-comic show. That comic, Joe Cook, was in only one number, the title song, which Mario Cantone and Carolee Carmello put over with giddy aplomb. Carmello really takes stage with her two solos, “Can This Be Love?” and the second-act torcher,…ebooks/Mordden, Ethan/Anything Goes_ A History of American Musical Theatre - Ethan Mordden.txt
- for this song, “Who Could Ask For Anything More?” later did make it as a title—twice, in fact—when Kay Swift and Ethel Merman each at different times used it for their autobiographies.) Got. In some entertainment reviews and on some disc labels this song is called “ve Got Rhythm.” I appreciate the correctors’ efforts to formalize the titl…theatre-pdfs/The Complete Lyrics of Ira Gershwin - Gershwin, Ira, 1896-1983.txt
Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.
What this page does not know
- What this person played. No cast list we hold records a character against a performer.
- Any staging. This name appears in no production cast list we hold — 1,877 of 7,139 people are in that position, most of them writers, composers and designers rather than performers.
- Which of the credits above the roles on this record — composer, lyricist — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.