Kevin Carlisle

On stage 4 productions, 2 years

Each row is a staging this name appears in the cast list of, read from the production record rather than from the person record. The person record names works instead, and a work cannot say which run somebody was in — that is how Elaine Stritch ends up filed under Show Boat 1927 when she was in the 1994 revival. No row here says what part was played, because no cast list records it.

Worked with more than once8 names

Both names in the same cast list, more than once. It is not evidence of a partnership — a long-running company puts the same forty people together every night — but it is where one would start looking. 7 of these names are not links because we hold no record behind them; the name is set from the identifier and its punctuation may be wrong.

Also credited on1 work

Hallelujah, Baby!

These come off the person record, which names a work and not a production. So we can say this name is attached to the work and we cannot say which staging, or in what capacity. For a composer or a writer that is the whole career we hold; there is no cast list to find them in.

In the literature6 passages

• With the help of associate choreographer Kevin Carlisle, dance assistant Lowell Purvis, and dance captain Nicole Barth, Gower devised other choreographic high-points: “Allez-Oop,” a spoof of vaudeville to showcase the acrobatic skills of the Six Angels; “Tomorrow Morning,” a festive high-stepping routine for Bibi, Jacques, Grandpère, and…ebooks/Gilvey, John Anthony/Before the Parade Passes By_ Gower Champion and the Glorious American Musical - John Anthony Gilvey.txt
• In Boston, Dania Krupska replaced choreographer Kevin Carlisle, and Derek Goldby, who would be fired from The Rothschilds two years later, replaced Benthall. The score was changed radically during the tryout, with Jerry Bock and Sheldon Harnick contributing three songs to the final version.ebooks/Mandelbaum, Ken/Not Since Carrie_ Forty Years of Broadway Musical Flops - Ken Mandelbaum.txt
• In the morning I watch the new choreographer, Kevin Carlisle, a taciturn young man with a large head of white hair teaching some new routines to the dancers. Sometimes they dance each other's roles. Having by now read the script, I can sort out the characters even when they double up. But there is no script for a dance and Carlisle has to…ebooks/Suskin, Steven/B001T4YWBO EBOK - Steven Suskin.txt
• rehearsals began and replaced by Kevin Carlisle (who had also been replacement choreographer on the 1967 Leslie Uggams-starrer Hallelujah, Baby!). Things went as expected, which is to say they opened in Boston and fired the director and new choreographer. Benthall was replaced by bright-haired-boy Derek Goldby, who had just wowed ’em with…theatre-pdfs/More Opening Nights on Broadway - Steven Suskin.txt
• BLACKSTONE! Directed and Choreographed by Kevin Carlisle; Assistant to Mr. Carlisle, Betty Brawley; Scenery, Peter Wolf; Costumes, Winn Mor-theatre-pdfs/Theatre World/Theatre World, 1979-80 Season, v. 36 (Willis).txt
• BARRY MANILOW S SHOWSTOPPERS Director, Kevin Carlisle; Sets, Jim Youmans; Lighting, Don Holder; Musical Director, Kevin Bassinson; Press, Susan DuBow/Solters, Roskin, Friedman; Opened in the Paramount Theatre on Wednesday, September 25, 1992*theatre-pdfs/Theatre World/Theatre World, 1991-1992 season, v. 48 (Willis).txt

Passages naming this person, found by keyword across 178 books. A keyword match is not a biography, and a common name will pull in the wrong one.

What this page does not know

• What this person played. No cast list we hold records a character against a performer.
• Birth or death year. Neither is on the record.
• Any portrait. 1,626 of 7,139 people have one, so this is the usual case rather than the exception.
• Which of the credits above the roles on this record — choreographer — apply to. The roles sit on the person and never on a credit, so a director who also acted looks the same here as one who did not.